I live in a state of hypersensitivity, and I've always had this feeling that something bad is going to happen to myself, or my wife and children. This manifests itself in different fears and visions.
I think TV is much more the writer's medium and film is about the director and their vision and how you can collaborate with them and see that through to the end. They are so different.
The founding fathers were not only brilliant, they were system builders and systematic thinkers. They came up with comprehensive plans and visions.
Don't be scared to try new things, but remember to hold on to the vision of your company and the initial successes that defined your brand.
EVERYTHING IS POSSIBLE ! Your Dreams ! Your Ideas ! Your Inventions ! Your Vision ! Never let anyone tell you " You Can't
Radio allowed me to be a creator, and TV stole that creation from me by literalizing - and to some extent limiting - my vision.
Have a vision. It is the ability to see the invisible. If you can see the invisible, you can achieve the impossible.
Almost every band has somebody who's the main songwriter and who has a vision, a very clear idea of how a song should be.
If you can see the vision of your goal clearly, you can plan and map effectively, and navigate efficiently.
When you don't have a vision or a plan for the future, your mind has no choice but to dwell in the past.
I think reconceptualizing Microsoft as a devices and services company is absolutely what our vision is all about. Office 365 and Azure on the services side are representative of it.
Writing for television is completely different from movie scriptwriting. A movie is all about the director's vision, but television is a writer's medium.
Panic causes tunnel vision. Calm acceptance of danger allows us to more easily assess the situation and see the options.
It’s about the possibility, or otherwise, of meaning in the world. And the possibility, or otherwise, of writing. And the possibility, or otherwise, of the resolution of everything into some coherent, cogent vision.
Mistakes can be corrected by those who pay attention to facts but dogmatism will not be corrected by those who are wedded to a vision.
Facts do not speak for themselves. They speak for or against competing theories. Facts divorced from theories or visions are mere isolated curiosities.
There have been situations where the people you're around have one vision for you, and it's like trying on a jacket that doesn't fit.
When you eyes is fixed on the prize or reward. It gives you hope to stay focus until the vision is fulfilled.
Film is a very collaborative medium. If you're smart enough, you learn how to maintain your vision while drawing resourcefully from all the people around you.
It is essential to an architect to know how to see: I mean to see in such a way that the vision is not overpowered by rational analysis.
In choosing any role, I ask the same questions: what kind of part is it? is the role challenging? does the director have a vision? is the story moving? etc.
