Evil is never abstract. It is always concrete, always particular and always vested in individuals. To deny monsters as individuals the right to speak, to actually state their case, is perverse - because I want to hear the Devil speak. I like the idea...
From the ethical point of view, no one can escape responsibility with the excuse that he is only an individual, on whom the fate of the world does not depend. Not only can this not be known objectively for certain, because it is always possible that ...
I think in television and film, it's not usually the child's point of view. It's the story of an adult. If there's a child in a drama or an action-adventure movie, they're someone who needs to be saved, someone who needs to be protected, or if they'r...
Just as at sea those who are carried away from the direction of the harbor bring themselves back on course by a clear sign, on seeing a tall beacon light or some mountain peak coming into view, so Scripture may guide those adrift on the sea of the li...
If we can keep the Christians thinking of themselves as sinners not sons and daughters, we can make them view their relationship to The Adversary as a negative-sum-game: They fall in a hole, He pulls them out, they fall back in, etc... That way they ...
Nakamura Tempu Sensei viewed the mind as a segment of the body that could not be seen and the body as the element of the mind that was observable. He also likened the mind and body to a stream, with the mind as the source flowing down to the body. Wh...
With my earlier books, I got quite bored being with one protagonist all the way through. With the Alex Morrow books, I wanted to do something a bit more holistic, so there were lots of different points of view, and I wanted to look at aspects of crim...
I gave up so many things. It wasn't that I was out of control - it was just years of eating anything I wanted. I wouldn't eat a whole pizza, but if I wanted pizza two or three times a week, I didn't think to limit myself. So I just cut out all the st...
To a naturalist nothing is indifferent; the humble moss that creeps upon the stone is equally interesting as the lofty pine which so beautifully adorns the valley or the mountain: but to a naturalist who is reading in the face of the rocks the annals...
I think that anyone who likes writing views 'The New Yorker' as the, you know, pinnacle of the publishing world. If you get 50 words published in 'The New Yorker,' it's more important than 50 articles in other places. So, would I love to one day writ...
I have hidden my race for 22 books. I have hidden behind my married name, which is very Caucasian, because I didn't feel safe coming out with it. I didn't feel that the market would really accept me. I think I felt it's time to start bringing in an A...
From a spectator point of view, Test cricket is not important; people hardly watch Test cricket. But as a player, Tests are the real thing. You have to concentrate for five days. It's a lot of time, and not easy to do it day in and day out. If people...
You need to know what makes artists tick. Having been through the process myself as a musician, since I was an early teen, gave me an advantage - understanding them from their point of view, because it's about them, it's not about you - it's their vi...
Almásy: [being carried up the stairs] There was a Prince, who was dying, and he was carried up the tower at Pisa so he could die with a view of the Tuscan Hills. Am I that Prince? Hana: [laughs] Because you're leaning? No, you're just on an angle. Y...
Ramsey: Roger's idea was to get back at the enemy the hardest way he could, mess up the works. From what we've heard here, I think he did exactly that. Hendley: Do you think it was worth the price? Ramsey: Depends on your point of view, Hendley.
Atticus Finch: If you just learn a single trick, Scout, you'll get along a lot better with all kinds of folks. You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around...
Jack Skellington: And one more thing... [stops Barrel from leaving] Jack Skellington: leave that no-account Oogie-Boogie out of this! Barrel: Whatever you say, Jack. Shock: Of course, Jack. Lock: Wouldn't dream of it, Jack. [a view from behind reveal...
Maya: So is it kind of about death and mortality, or...? Miles Raymond: Mrnmm, yeah... but not really. It shifts around a lot. Like you also start to see everything from the point of view of the father. And some other stuff happens, some parallel nar...
Julia: Too bad there's no view of the sea. Ramón Sampedro: Just as well. This way I see it when I choose. Julia: What do you mean? Ramón Sampedro: When I'm in the mood, I concentrate and walk I out to the sea. I fly there.
I'm actually a very lazy person. Most of the time, I'm happy to sit around and stare. Or watch bad TV soaps. It's quite rare for me to get inspired by anything, but it could be something small. A view of the Serpentine. A snatch of music. Or a little...
[through her camcorder, we see Christy walk into Mateo's empty room - we see the view out the window, and then Christy turns to see Ariel sitting on the couch, grief in her eyes] Ariel: [whispering sadly] He never said goodbye... Christy: What? Ariel...
