But ya have to make videos in the States. Usually ours just look too serious. We haven't got it together.
The idea of uploading a video that the whole world had access to made me nervous.
Most of my videos consist of fragments, one or two minutes long. They are haikus or sketches. I have thousands.
If you wanted to torture me, you'd tie me down and force me to watch our first five videos.
When I started half.com, our three biggest competitors were Borders, Tower Records and Blockbuster Video.
People who liked the 'Arkham Asylum' video game can Google comics to download.
I was born in 1957, so when I was a kid, there wasn't anything called a video game. When 'Pong' came out, it was awesome.
I served at the Pentagon and at Fort Leavenworth - my job was video cameraman, and that allowed me to travel to places like Korea, Japan, Alaska, Germany and the Netherlands.
Dante Hicks: You gonna lock the video store? Randal Graves: Look who you're asking, here.
Malcolm: Who was that in the video? Caesar: A good man... like you.
I'm a mama's boy because everything I do is with respect to my mother. I won't do a movie or a video that would bring disrespect to my mother.
I don't want to be an artist, go on tour and make a video and wear sexy clothes. I would just love to make music.
I enjoy the videos with the sound off, where you can look at the belly buttons and everything. Really some pretty girls, but I don't know about the music.
My record company had to beg me to stop filmin' music videos in the projects. No matter what the song was about, I had 'em out there.
I never thought about acting before I started modeling, but since then I've been in short films and music videos, and I got interested. It felt natural to switch over.
A couple of my teammates have the rare Ford F650 Super Truck, and they're kitted out with everything - even flat-screen TVs for movies and video-game systems in the back.
I think that audio and video over the internet in the sense of teleconferencing and telephone calls. Maybe we'll actually have picture phone through your work station.
My mum used to work in New York in Spike Lee's shop; she did the outfits for the video for P.M. Dawn's 'Set Adrift on Memory Bliss.'
We make, see, and love films, not digitals. To convert all of our movies, home videos, theaters, photographs and television to digital would be like telling a painter to throw away his brushes and canvas for an I-Pad. Celluloid isn't just nostalgic, ...
I came of age at the end of the 1960s, just when video was also coming into the world. Companies such as Sony and Panasonic were starting to market it and we artists immediately knew how it could be used.
No, but way before that, I've been doing little dances in movies for years. Yeah, that was an amazing chance. You know, at my age to be able to do a music dance video, very unusual.
