I got a couple of different contacts from publishing companies saying they'd be interested in a book about my work: not a kiss-and-tell book, which I specifically put in the contract. Just a book about my work and what I did.
Anyone can use these sites - companies and colleges, teachers and students, young and old all make use of networking sites to connect with people electronically to share pictures, information, course work, and common interests.
For the scientists, they're kind of puzzled and pleased that somebody finds their work interesting. It makes it fun for me. I feel like I've sort of turned over a stone that hasn't been turned over.
Magicians are typically introverted; they don't tend to work with others, but I work with software programmers, composers, designers, so it's a very diverse group and the result is always more interesting than something I could have done by myself.
We're taking on Social Security as a property rights issue. We figure that every single American has an absolute property right interest in the fruits of his or her own labor. What I work for should be my property.
Cats are impossible to work with. They're just very difficult because you can't really train them. They're not really interested in whatever you want them to do. Dogs want to please you; cats only want to please themselves.
There's something about uninterrupted singing that just doesn't work for me, because at some point, I need my characters to talk. Without meaning to offend anyone, a musical like 'Les Miserables' would be the last thing I'd ever be interested in.
I don't want to express alienation. It isn't what I feel. I'm interested in various kinds of passionate engagement. All my work says be serious, be passionate, wake up.
To be honest, I've never been interested in how many games I've done and seen. It doesn't mean anything to anybody. All I know is I'm eternally grateful for having been allowed to work so many games.
Maybe I don't take myself quite as seriously as I used to, but the work has gotten better and more interesting, and I'm just having more fun. It's getting more and more fun with each role.
In college, I got interested in news because the world was coming apart. The civil rights movement, the antiwar movement, the women's right movement. That focused my radio ambitions toward news.
There was an interesting article in Los Angeles Magazine about women directors. A woman director makes one bad independent film and her career is over. Guys tend to get an opportunity to learn from their mistakes.
I'm interested in what happens to people when they get into that publicity machine. We tend to think things have changed, but there's still a deep sexism underlying the way women are treated publicly.
My interest is not data, it's the world. And part of world development you can see in numbers. Others, like human rights, empowerment of women, it's very difficult to measure in numbers.
Ten years ago in Nairobi we said that the participation of women in the decision-making and appraisal processes of the United Nations was essential if the organization was to effectively serve women's interests.
What remains constant for me, during the last 15 years, has been the conviction that the cold war was a calamity for the entire world, and that it can be justified by no consideration of theory, nor by any supposed national interest.
Iraq is the central battleground in the war on terror. The terrorists certainly know what is at stake, which is why they are pulling out all the stops to derail our efforts there. They know that a free and democratic Iraq is a serious blow to their i...
War is party-blind. It doesn't care who is in the Oval Office. The forces that drive us to war don't care whether it's Republican, Democrat, or other. The fact is, these parties are prey to special interests. That is something Eisenhower was afraid o...
The war on terror, if this is a war on terror, can only be won by a sincere regional and international cooperation. All have to believe they have something at stake and work together. In the absence of this it will become political and interest-orien...
The Vietnam War required us to emphasize the national interest rather than abstract principles. What President Nixon and I tried to do was unnatural. And that is why we didn't make it.
I'm quite interested in adapting some of James Herbert's early work. 'The Dark'... But I was always desperate to do an adaptation of 'War of the Worlds' until the Beard stole it from underneath my feet.
