I love Dolce & Gabbana. I love Versace. I love the crazy, more eccentric stuff.
The detail is as important as the essential is. When it is inadequate, it destroys the whole outfit.
I translated Beatles songs for my English class.
The shoe is very much an X-ray of social comportment.
In fashion, only sexy won't go out of fashion.
During the eighties and nineties, people wanted to be chic, elegant, bourgeois.
We all retire one day. If we want to, if we don't want to.
What I'm really trying to do is create unique characters.
Basically, I was a hippie and still am a flower child.
When punk really started to happen, it was a reaction against the disco craze of the time.
Evening is a time of real experimentation. You never want to look the same way.
I am in my own head most of the time.
When I was a kid, I was trendier. I'd wear anything. I was in love beads and platforms.
Obviously for some people there is a big connection between music and the way you can create a space.
It's a major job to help men and women look beautiful.
There is an element of seduction in shoes that doesn't exist for men. A woman can be sexy, charming, witty or shy with her shoes.
I'll do shoes for the lady who lunches, but it would be, like, a really nasty lunch, talking about men.
I hate bridges. I'm always very insecure on bridges.
Well, my whole thing is that I'm kind of like a show-off!
Creating a book and creating a collection involve a lot of editing.
Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.