The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for ...
I frequently find after a rehearsal of a performance that I have more breath, and can walk better and climb stairs better than I could before. It's as if I've expanded my lungs doing it. Basically speaking, conducting is quite a healthy profession.
My heroes were Eddie Van Halen - especially after Van Halen I, II, III, and IV - Randy Rhoads, Ace Frehley and dudes like that. My brother played drums and we jammed in the garage and started writing our own stuff.
But it's like the horror of being in a studio with a blank canvas. I used to always run out of ideas because there are so many possibilities and I would just think, well what am I going to do now!
I was 18 when I first visited London, I'm very provincial like that, but I must confess the moment I got to America I thought: This is the place. It was more open, with 24-hour cities and pubs and restaurants that didn't close.
Well, I am not interested in the kind of expression that you have when you paint a painting with brush strokes. It's all right, but it's already done and I want to do something new.
'Star Wars' came out when I was seven. It was so different from anything else, like peeking into the land of Oz. All you wanted to do was see it again and go back and see more of it. That feeling is not easy to reproduce.
I get up about four times a night and go back to sleep, or not. Then I swill tea around 8 a.m. I answer e-mail, while I stall thinking about whatever scares me.
I seldom have my stuff up unless I'm testing it. If I'm worrying about a painting, I put it up and see if I detest it quickly or slowly. Otherwise I have things by other artists.
OBVIOUSLY YOU STRIKE OUT AGAINST PEOPLE WITHIN RANGE. IT'S CATHARTIC TO AFFECT SOMEONE WHEN YOU'RE ANGRY. ALTERNATIVELY, CHOOSE ENEMIES IMPOSSIBLY FAR AWAY SO YOU NEVER HAVE TO FIGHT.
THERE'S NO REASON TO SLEEP CURLED UP AND BENT. IT'S NOT COMFORTABLE, IT'S NOT GOOD FOR YOU, AND IT DOESN'T PROTECT YOU FROM DANGER. IF YOU'RE WORRIED ABOUT AN ATTACK YOU SHOULD STAY AWAKE OR SLEEP LIGHTLY WITH LIMBS UNFURLED FOR ACTION.
Then I got a gig with an older friend who had the equipment and he played in this bar. They would bring me in the bar through the backdoor and I would DJ in the back room most of the night. Then they'd take me out the backdoor, so I was never really ...
A not complete unit or a new unit. The elements in the 3 parts should neither fit nor not fit together. One would like not to be led. Avoid the idea of a puzzle which could be solved. Remove the signs of thought. It is not thought which needs showing...
I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done the...
The first piece I ever collected was a Roy Lichtenstein: a sculpture called 'Surrealist Head II'. There was a waiting list. I remember Steve Martin wanted one, and I wanted one. I got the 'Surrealist Head', and I was thrilled.
The Supreme Court, of course, has the responsibility of ensuring that our government never oversteps its proper bounds or violates the rights of individuals. But the Court must also recognize the limits on itself and respect the choices made by the A...
You know what I like about San Francisco? The women are beautiful, fashionable and smart. San Francisco is one of the only cities I like to visit. I love New York and Chicago - I studied there, and L.A. has the same people as New York.
In the studio, I don't do a lot of work that requires repetitive activity. I spend a lot of time looking and thinking and then try to find the most efficient way to get what I want, whether it's making a drawing or a sculpture, or casting plaster or ...
Some time ago, we went to Asia and took a camera along, and I began to do what I'd done even years ago doing people. I couldn't get interested in it. And I did hundreds of photographs of details of the monuments as sculpture.
I confess that Roy was a little bit dictatorial in his editing and he ruined quite a number of my pictures, which he stopped doing later. He used to punch a hole through a negative. Some of them were incredibly valuable. He didn't understand at the t...
I have always wanted to make paintings that are impossible to walk past, paintings that grab and hold your attention. The more you look at them, the more satisfying they become for the viewer. The more time you give to the painting, the more you get ...
