Help us to recognize your voice, help us not to be allured by the madness of the world, so that we may never fall away from you, O Lord Jesus Christ.
Profit and bottom line, the contemporary mantra, eliminates the very source of architectural expression.
The delusion of entertainment is devoid of meaning. It may amuse us for a bit, but after the initial hit we are left with the dark feeling of desolation.
There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
In those countries with centuries of a craft tradition behind their building methods, techniques are tightly coordinated under the direction of the architect.
If only someone else could paint what I see, it would be marvellous, because then I wouldn't have to paint at all.
I wouldn't say I'm addicted, but I never, ever skip yoga. I use it to calm down and slow down.
But I believe above all that I wanted to build the palace of my memory, because my memory is my only homeland.
Any new producer starting up is to get investors' confidence. Investors are still very very wary of anything to do with the arts world.
It will never be Hollywood, the same way people think it should be. I think it will grow and it will be healthy and it will expand into more than one production house.
All the arts are predominantly national, and therefore the Australian Film Commission should be funding us. The battle gets more and more vicious each year.
We are here predominantly to support independent filmmakers and their needs. We are also here to assist people actually in their production, non-commercial people in their production.
You have always had individual directors who begin in the advertising or commercial world, but they are probably exceptions rather than the traditional pattern.
I'm not a big theory person. So when I get asked questions that demand serious statements, I just make it up.
The idea is to take the most ordinary things and make them extraordinary, as Gerard Manley Hopkins does in his poems.
The conductor's gift does not always go hand in hand with that of composition; indeed, the union is found much more seldom than is popularly believed.
The composers could no longer direct all performances in person, and so the responsibility of interpreting their works in the spirit in which they had been conceived was placed upon conductors.
I have often heard the statement made by foreign singers, as a demonstrated fact, that the German artists are artists in feeling indeed, and serious in their devotion, but that their singing is crude.
I'm a secretive bastard. I would never let anybody watch me painting... it would be like somebody watching you have sex - painting is that personal to me.
I prefer winter and fall, when you feel the bone structure of the landscape. Something waits beneath it; the whole story doesn't show.
I don't really have studios. I wander around around people's attics, out in fields, in cellars, anyplace I find that invites me.