I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.
I got to learn from the American audience. Hearing what it is they're not getting. These are audiences, 35 to 40, an older demographic that controls seven to 10 trillion dollars. And the producers and distributors have convinced themselves this group...
To me, movies and music go hand in hand. When I'm writing a script, one of the first things I do is find the music I'm going to play for the opening sequence.
By going to the movies, and because of other things, too, going to college, making a wide variety of friends, moving around traveling, I became a lot more open-minded than the heritage I was born into might have suggested.
I think if you study people in the street today, you do sometimes feel that they have taken their behavior and their language from things that they have seen rather than read - from soap operas and movies and so on.
The truth is that I've always wanted to be an actor, ever since I was a child. I used to see these English movies which were shown to us in our school every Saturday, and then I used to enact the hero's part in my head.
Well Ice H20 is my company that I plan to take to the next level with new artists, books, movies and so forth. It's more like a multimedia brand that I want to take to the next level and put some talented people on.
When watching movies, I was always inspired by the performances of the cast. Of course, the story and the direction and all that intrigued me. But what actors would propel themselves to do, and be, was awesome. It was like, how could these people giv...
There are fans of some of the old movies that'll mention those, and there's people that have little kids that'll look at me and say, 'Wow, I just watched 'Honey, I Shrunk the Kids' 35,000 times, and here you are!'
The first thing I learned about weapons is respect, and that carries into movies as well. If you're on set and you're dealing with weapons, live or not, you respect the weapon; you know how to handle it appropriately.
Like when you go to a magic show and you know how they do the illusions. That's how I am when I watch any movies where they have people flying through the air.
I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.
As a kid growing up in a small town in Washington State, my only exposure to New York City was through movies. The town with its towering skyscrapers, fascinating people and teeming energy absolutely captivated me.
My retirement is both voluntary and involuntary. One reason, and this is voluntary, is the impact of television. All old movies are turning up on television, and frankly, making pictures doesn't interest me anymore. Another reason is that the film in...
I always shoot my movies with score as certainly part of the dialogue. Music is dialogue. People don't think about it that way, but music is actually dialogue. And sometimes music is the final, finished, additional dialogue. Music can be one of the f...
Because I was a kid from north of England, the only films I had access to was not alternative cinema, which in those days would be foreign cinema; I would be looking at all the Hollywood movies that arrived at my High Street.
Scaring someone's the hardest thing to do, and that's why most of these scary movies are not scary. They're sick, but not scary. There's a lot of sickness out there, of people who then sit there and watch it, which I think is absolutely dismaying.
I'm one of those weird people that tends to not do the extras and listen to the commentaries and stuff on movies, although I do think they are fascinating and interesting - I'm just so worried that years later I wouldn't remember anything!
I suppose when I was a kid, and I went to movies, and later went to some plays on my own when I got a little older, in New Orleans, where I was living then, I zeroed in on the actor.
What you have with the Bond movies is this character gliding over everything. The fact nothing touches him is why we all want to be him. But it also makes him a sort of superman who in the end you don't really relate to.
I get inspired when I look at Tom Lennon, who did 'Reno 911!' for six seasons while writing huge movies and directing and also doing other pilots; he did that FX pilot, the 'Star Trek' thing.
