I love 'Goodfellas' because it's a great movie - it's funny and there is action at perfect points. I just think Martin Scorsese makes everyone look really cool.
When I think of the definition of cool and when I look at people, John Travolta is really the definition of cool because, not only is he great in all his movies, but, as a person, he's just really cool.
'Texas Chainsaw Massacre' is just one of those movies that's like a page of history. You can't really go wrong. It's a prequel. It's not like number three. Which is really cool, to be the before as opposed to the after.
There have been a few times when I've read a script and it's really cool but the girl character's just kind of pathetic. It's not going to do me any favours just being 'the girl' in a cool movie.
I think because Skype is becoming so much more prevalent, and you're looking at someone else on a screen, it's going to work its way into movies and TV shows in all different ways, which I think is really cool.
Men, when they fight in movies, it's a very different style. Harrison Ford was so cool when he had the whip, and Bruce Lee was such an artist that you couldn't take your eyes off of him.
I just got an iPhone, which is cool, but I don't download movies, I don't watch Hulu, I don't have Netflix. I don't do any of that. But I do geek out to music.
I really liked the snake that breaks out of the cage in the beginning of the movie. I saw it in real life, and it was really cool. Really big and fat. The owls are cool as well, but you can't really pet them.
If we have a great idea, we'll go, 'Oh, this could be a cool movie.' Or really for us, it's more like, 'Oh, this is a really bad idea. Let's do this. This seems really stupid.'
Changes are not unusual - I mean, most movies, when they release them, they make changes. But somehow, when I make the slightest change, everybody thinks it's the end of the world.
For me the writing, when I'm going to direct it myself, is really just the first draft, and I don't change it very much; I only change it on average about two lines per movie.
One of the biggest challenges in my job is letting go of the movie once you go home at night, and knowing you can't do anything to your performance once you've laid it on film.
I want to go back home and make movies in Australia. There's so many stories that we haven't captured yet. In Australia, we cling on to whatever culture we have. We're such a multicultural country.
I'm very low-key. I don't really blend in, so it's difficult to go out in public. I like to do things that are kind of quiet, whether it's a dinner at my house or a restaurant, or a movie night at home.
Leaving a lot of movie sets, I've gone home and said, 'How come my hands are clean?' I should finish something and go home with dirt in my fingernails, because then you really feel that you've done something.
I can't leave home without certain movies. 'The Godfather' is a big one for me. And I've gotta have my beats so I can write new music.
My past films came out on home entertainment in the U.S., so the next question was, how do we get a theatrical in the U.S.? Well, you put a monster in it. That will do it, because people love monster movies.
We pay for content that we like, and we like the content we pay for. It's a lot more satisfying to pay $7.50 for Steven Spielberg's next epic than it is to watch my home movies for free. Even for me.
There is a movie called 'My Dog Skip,' starring my 'Outsiders' costar Diane Lane. I do not recommend it. If you have a child, particularly one about to leave home, watching this film is to be emotionally waterboarded.
I'm not someone who sits at home and doesn't like to go out, doesn't like to watch movies. I like to live my life.
'A Guide To Recognizing Your Saints' was the first real actor-actor part I did, and I hope I to do more. Action movies are fun, but I'd be happy not to do them if there are better roles.
