My main aim has always been to do good quality films with roles that have some substance. With Power and Beauty there were loads of things that I liked about the movie, which made me opt for it.
I left Mexico for artistic survival. If I had stayed, I would have been forced by the government, who control the movie business, to direct TV shows or commercials or infomercials for the government.
Foxes was a movie that didn't do a lot of business but it didn't do too badly critically and eventually they offered me other things. The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing.
I stuck around in Hollywood for too long. I was there a long time, and when I left, I was smart enough to realise that what I was leaving was not just the movie business. I wanted to get rid of the whole atmosphere.
Making movies has become such a golden ring, and it's all such a big business, that the rewards system has gotten totally out of whack. Suddenly, you're treated in a manner befitting someone who is actually an important person.
You know, I think the film business is its own worst enemy because it sells movies on DVD footage and 'behind the scenes,' and now it's a real struggle trying to keep storylines and plotlines a secret.
Everything about it worked, and I don't mean just the movie, but in our experience, we realized there's also a component of luck involved in this business. We had absolutely the most competent people in the studio working on the release and ad campai...
A lot of times in this business, it's so transitory - it's just 10 weeks here or there on a movie and then it's over - but to see the same people over all that time, a decade, makes you feel really safe and secure.
First, speaking for myself, I don't want to ever be in a position where I'm telling other directors how to make movies, because I don't think it's any of my business.
Because of who I am, when I sit at a poker table, I meet people who engage me in conversation, not only about poker, but also about the movie business and about the world of celebrities.
I don't really know anything about the movie business, even though I've lived in Los Angeles my whole life - somehow I've never bumped into it.
People are goofy about the movie business, so you end up counting on friends you knew before you were successful. It is harder to make new friends because you are a little more cautious.
Well, I see myself in the same business but a lot more successful and doing more movies maybe behind the camera. I plan to do some growing in this industry and take it as far as I can.
It's the business of movies, it's the fights that go along with the level of budget, and more than anything, it's the creative constipation of having to live with one idea for two or three years. It's just not that fun.
I'd like to start trying different fields of work. I don't want to be stuck in just comedy, and I'd be interested to try to break into the movie business because it's so much different than television.
The power of the human spirit inspires me. Movies, books, stories, people, anything that reminds us that we are more than just this physical body and our capacity for love and courage can bend reality.
They did offer me a chance of being a V in the crowd, but it's not my scene. I think they just thought it would be fun for me to do that, but I don't know. I heard that Stan Lee appears in every movie of his.
On one level, I would prefer never to hear the words 'James Bond' again, but on another level, it is part of my blood and my life. And it's the only movie in the world that offers a British actor the chance of international recognition.
Everyone in Hollywood wanted a role in this movie. Everyone wanted to have a part in it. I feel so lucky that I got one, but what I find so cool about 'Hunger Games' is that the real star is the story itself.
Like I said about Freaked, people tend to find these films, and I think that in the end the cool thing about a movie is that it can be sort of burnt temporarily, but then it's burnt into the fabric of your culture.
I think 'Cool Hand Luke' was probably the first movie in which I was aware of the writing as its own separate thing. It was that speech when the guy reads Paul Newman the riot act. The speech about going in the box.
