Part of a horror movie has to be a bit fakey for me to really enjoy it. The new ones are so realistic that they distract me from the ride through the horror.
Anytime I do a movie or a TV show, I make them aware of my hearing loss at the beginning, and that makes it much easier for all of us to communicate and get the job done.
Whether you do a play in front of 100 people or a movie that one billion people see, you're still affecting people.
If someone offered me a hundred million dollars to make a movie? I would first remind him that there are 850 million people in the world who don't have enough to eat.
In the case of the 'Saint' movie, I did do some research. I visited a few shelters. But usually, my stuff just comes out. I don't have any control over that.
I tried softball and soccer. I just didn't take as much of a liking to it as I did sitting in a movie theater and watching people recreate a story, and doing it myself, as well.
'Iron Man' was this fun, poppy thing bound to make a zillion dollars. And we were the other side of a superhero movie. More complex with The Hulk being this complex character - that's what it was.
As soon as people see my face on a movie screen, they knew two things: first, I'm not going to get the girl, and second, I'll get a cheap funeral before the picture is over.
Los Angeles has the greatest concentration of surviving movie palaces in the United States, yet most residents have never been inside one of them.
I didn't feel like going any further in this scene with the boy. He was not a professional actor, and if I had pushed the scene any further it would have destroyed the tone of the movie.
Nowhere, absolutely nowhere, has there ever been a hint, not even a whisper, that a Black person was involved in the assassination of the president. But that's the kind of thing you have in this movie.
Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
Richard Donner is one of the few directors in Hollywood that can make whatever movie he wants exactly the way he wants it. No one will stop him.
Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better.
You never want your second act or the whole movie to just be this relentless march towards its goal. You want things to take the audience by surprise.
The thing about the movie 'Navy SEALs' is that it was just such a waste. The script could've been shaped to be much better, and you just hate to see all that talent and passion go to waste.
If you're asked something on a movie set and you say 'I don't know,' you lose confidence in every department. What you need to say is 'I'll have that for you in five minutes.'
The hardest thing about writing a script is you finish it, but it doesn't mean anything. It's not like a novel or short story - a script is meant to be made into a movie.
Let me put it this way: If you're sitting in a movie and you're watching me, and you say, 'Isn't that Michael Caine a wonderful actor?' then I've failed.
When you're a movie star and you're young, you are always playing someone who's a better fighter, a better lover, a better everything than you.
This film is what it is. It's a campy thriller horror movie where you go and have fun. With these types of films, you can't take it too seriously. They are what they are.
