I think Shrek makes an effect in older people. And there are many things in the movie that you saw that are not for kids. Kids would not understand certain things.
It's really not fun to have seen a movie that you want to talk about, and you can't find anyone else who's seen it.
Certain actors wanna get paid, they think working in a low-budget movie is being ripped off. But for others it's like, 'Yes, let's do it.'
When Robert Benton was doing the movie 'In the Still of the Night,' I'd choreographed the auction scene and supplied the paintings and had a bit part - I was bidding against Meryl Streep.
Mind you, if a blockbuster movie was offered, I wouldn't say no. I can do accents - I don't always have to be Scottish.
People never forget two things, their first love and the money they wasted watching a bad movie.
I once dealt with a prima donna on a movie set. I won't say who, but his first name is a country. A communist country. Run by Fidel Castro.
Everybody perceives me because of my career that I'm a movie star, or I'm this model, but I'm still the same person I was when I was a little girl.
No studio in Hollywood wanted 'Cold Mountain.' None. No one wanted 'Ripley,' no one wanted 'The English Patient.' That tells you there isn't really an appetite for ambitious movie-making out there.
When you watch a movie, you don't want to feel like a machine made it. You want to feel a soul.
I remember reading 'Disturbia,' one of the first scripts I ever got, and I go 'Pfft, who wants to make a movie about a guy in a house?'
The comforts come from my movie and television writing. It is unusual to live this well simply from books.
A book and a movie are different animals. You need a cinematic perspective to be involved in the motion pictures. And this is something I lack.
I always had a weird thing with being the last person somewhere... like a movie theater or a classroom. I get a weird sense of anxiety.
That's kind of the weird thing that M. Night Shyamalan has sort of unleashed upon the world is this need for every movie to have these ridiculous endings.
I simply went down there to catch up with an old mate of mine, who owns the place. He's the one who wrote the book on the place, but no, no movie, just a beer.
The thing about movie musicals is that there have been some brilliant ones, but when they're bad, they're really bad - big white elephants.
I'd like to think that the notion of inspiration will transcend cultural things that are going on. There's something classic about this movie that I'm hoping reaches kids.
I'm into the idea of responsibility and edification and these things have found me and I have found them. I wanted to be in the movie and I made it known to Mike.
When I'd finished, everybody said they wanted me for this movie. At first I thought they meant a nudie flick since an awful lot of nudies are made in Houston.
In The Name of the King is the right title. To be honest, I don't know who had the final idea for the title but I liked it and it has a strong connection to the movie's story.
