People say, 'I love 'Snatch,' I love 'Lock Stock,' but I want to be more than a movie name. I'd love to be more of a household name.
I like doing movies about personal situations; that's what I love about dealing with things. I don't like superhero things, I like real-people things.
I love things where I can be physical and I so love high stakes, and you usually don't get that unless you're doing a play or an action movie.
When we moved to L.A., I started going out for more commercials, and then one day they emailed me a movie script. The first thing I said was, 'No way. I love commercials.'
One of my biggest personal holdings is Rotana. That company has a very dominant force in the Middle East. It has around 45% of all the movie industry and around 75% of all the music.
It is surprising how many professional athletes, along with their families and friends, are gaga over movie and music stars, and the reverse is true with entertainers and sports stars.
I was never really a nerd. I'm not really into comic books or Dungeons and Dragons or any of that kind of stuff. I was in drama class, and I'm a big movie and music buff. And I'm into sports.
Most often the music does end up in the movie, and sometimes there's a point where I wish that it wasn't, just because I think the score would be more effective if there was less of it. But, again, that's not my call.
Even if there were no illegal copying, the advent of digital distribution will put a lot of stress on the movie and music industry. When the distribution costs comes down, that puts more price pressure on the rest of the cost.
Uhm, I'm the one wanting the lessons! I don't want to say too much about it because I'd rather have you see the movie, but he's trying to find his music.
I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
A movie goes from several stages, from idea to script. As you continue shooting, you will make some adjustments. You're constantly adjusting. It's like a piece of music. You're constantly trying to make it better.
Every time you get a movie, you get a medical. So you know, you know you're alright for a couple of weeks.
I can honestly, and proudly, say that I never was on the casting couch. Oh, of course there have been advances from certain men in the movie industry, but nothing overwhelming.
If you look at movies with Cary Grant or Jimmy Stewart and all the rest of it, none of them looks like a boy. They always looked like mature men. The audience didn't want to go and see kids.
If I go on dates, my mom is always with me. She's always there making sure I'm all right. Like if I go to see a movie with a boy, she'll go to dinner next door.
I've always wanted to be an actress, ever since I was a little girl. I've always played the mom and I play my sister as the daughter. I wanted to be an actress on television and movies instead of just around the house.
I did a movie called 'Quicksand No Escape' with Donald Sutherland and Tim Matheson. I think I was maybe 5. I was really little. Yeah, it was fun. And actually, Felicity Huffman played my mom.
We didn't have movies in this little mining town. When I was 12 my mom took me to New York and I saw Bye Bye Birdie, with people singing and dancing, and that was it.
I am a little suspicious of industry paradigms. I feel like so many movies and TV shows feel so familiar because of over-reliance on these paradigms.
With movies, so much of it is, 'Who is the human being that is going to be directing it?' Because it is their medium. In a way, you are serving the director, and when it is someone that you feel you can have a lot of confidence in, it can make a big ...
