Chick flick is not a term used to praise a movie. Nobody says 'it's a great chick flick.' It's a way of being derisive. I'm not clear why it's ok to do it.
'Gravity' is a great example of a movie that we hope they're going to do more of. It's really entertaining, with a female star. It's not the kind of film you typically see, and gives me hope.
The 'Bourne' movies are great in their own ways; it introduces a whole other sort of allegory about the Bush years. The secrecy and the threats of a big global organization.
I often make movies that involve depression or deep holes of sadness, although there are also these other great things in 'New Moon,' like this epic set-piece at the end of the film in Italy.
'To Die For,' with Nicole Kidman, is great - her desire to be a part of news, how she uses news to further her career and how it can drive you insane. I love that movie.
That's a traditional Samoan dance. I was lucky that I was able to fly my cousins, who are professional dancers, up from Hawaii and they were able to be in the movie with me. We had a great time.
But you don't hire Ang Lee to do a typical children's movie. But it's such an interesting combination, whoever thought of getting Ang together with a comic book, that was just great.
I must say, to my great surprise and pleasure, I deeply loved making movies in the United States because of all the opportunities it gave me to work with people that I admire as artists.
Wouldn't it be great to see a line in all movie credits that truthfully says, 'Nobody was harmed in the making of this film, and at the cast party, all animals got a belly belly belly rub.'
I look at careers like Ben Stiller and think that's a great career to have where you're doing movies that you write and direct, and also act in films, although he's primarily an actor.
But my favorite period for actors is the 70s. I think so many great movies were made in the 70s. The 90s just seem to be a confused decade. Nobody knows, really, what's going on.
To make great movies, there is an element of risk. You have to say, 'Well, I am going to make this film, and it is not really a sure thing.'
I love the first two X-Men movies because I thought that Bryan Singer did such a great job. He elevated that whole genre. He's a very talented director.
Angelina came up, and as soon as we said hello, I thought, This is going to be great. I'm really going to love doing this with her. And I did. And then I was very excited to do the movie after that.
I picked up my college copy of 'The Great Gatsby' in an attempt to recover from the movie and was interested to find out what I'd underlined. The answer was basically: everything.
That's one of the great things about DVD: In addition to reaching people who didn't catch the movie in theaters, you get to have this interaction of sorts.
We all had our reservations about possibly overdoing it but, you know, the script was great. Basically it stuck to the formula that worked for the first two movies, and for that reason I think this works as well.
I mean, movies are all geared to be basically under 25, and they're all tentpoles, explosions, excitement and all that - they take advantage of the big screen, which is great.
It didn't matter that Charlie Chaplin may not have been a great director or a great anything else. He made great movies.
A lot of the struggle I had with movies is I really loved moments and tones and feelings in a scene, and I loved creating those, but I never really had great stories to string them together.
I love great locations in movies, and I couldn't believe I'd never seen a landfill on screen before. It was the most haunting place.
