I take little bits and pieces of ideas that I may or may not believe in but I give them to this character and he runs with them. I have fun with however he handles the situation.
The idea flow from the human spirit is absolutely unlimited. All you have to do is tap into that well. I don't like to use the word efficiency. It's creativity. It's a belief that every person counts.
I do think, however, that there's a very diverse point of view in the African-American community. There's a lot of different voices that need to be heard. I don't claim and pretend to know the thoughts and opinions and ideas of all African-Americans.
To put that into some perspective, when Bill Clinton and Al Gore had first taken the idea of the Kyoto Protocol up to the Congress, the United States Senate voted it down 95 to nothing.
There seems to be a peculiar kind of clamor for comics. And I'm not sure how much a part of reality that is. I think partly it's based on some idea that comics are what everybody wants to read - and I don't think that's the case.
Luz's manner of speaking made it clear that she had no idea what she might say next. It wasn't that she made things up, strictly speaking--only that facts were merely a point of departure for her.
A substantial amount of research over the past decade has reinforced the idea that although internal happiness can deviate from its "resting state" in reaction to life events, it usually returns toward its baseline over time.
The American people want to pay attention to serious ideas again. Our founding was built by people who were political philosophers, and we need to get back to that, away from this kind of cheap political rhetoric of Right and Left.
When I was about 19, I shot a tape of me doing magic just to people on the streets, and I would edit together all the reactions and I kept pushing this idea, and then ABC came on board and made my first show.
I did about 2000 covers altogether, for all sorts of books - from Shakespeare to James Bond - and I always had the idea that I must give 100%, no matter who the author was.
I always say that, for me, writing a book is like a wacky Greyhound bus trip - I know where I'm starting and where I'll end up, but I have no idea what will happen along the way.
The fact is, when I wrote 'Juno' - and I think this is part of its charm and appeal - I didn't know how to write a movie. And I also had no idea it was going to get made!
Ray is very secretive about his ideas - why not, the times that the Kinks have been ripped off, especially in the early years, it makes you a little bit cautious about telling anybody what you're doing. And that's understandable.
What I've realized is that a film operates both on the intellectual and emotional levels, and if you can find a way to tell a riveting story and draw ideas out of that, it's very powerful.
I think people with open minds will observe the way we do things and realize that our goal is to have successful, happy, productive adults, and they will take our ideas and implement them elsewhere for their own children.
Growing up in a band is weird - you get stuck hanging on to what it is you think you are. But what I took into Depeche was that punk ethic, that you don't have to be accomplished to be a musician. If you've got ideas, you can do this.
When my agent told me I had an audition for 'Friar Tuck,' I burst out laughing. It actually brought a bit of sunshine to my day. I was thinking: fat suit. I was thinking: shaving my head. It was so outlandish, such a crazy idea.
If progressives were interested in mitigating inequality, they would support the dynamism of free markets to allow the merit of ideas, products and services to win the day rather than stifle companies and pick winners in the name of imagined 'progres...
When you're a choreographer and you put so much into a routine that's emotionally driven, those are like my ideas and my little babies that I have here and then I put them out there and they're there to be judged and looked at. When it's all over, it...
But what really excited me was the idea that humans had a tremendous pre-history that went back millions of years. I wanted to go to Africa to find some of these creatures.
See, a painting is much cheaper than making a film. And photography is, you know, way cheap. So if I get an idea for a film, there are many ways to get it together and go realise that film. There's really nothing to be afraid of.
