Most of what we take as being important is not material, whether it's music or feelings or love. They're things we can't really see or touch. They're not material, but they're vitally important to us.
We use shorts at the studio extensively to develop talent. I always love to give opportunities for young story people, animators, layout people something like that to take the next step up in their career and try things out.
I used to tweet about the most mundane things - like 'I just bought a soya latte' - but now I try and make it a bit more interesting.
The biggest thing that concerns me is when we start getting countries using cybercrime to shut down infrastructure, electricity, communications systems, the Internet, et cetera.
The worst readers are those who behave like plundering troops: they take away a few things they can use, dirty and confound the remainder, and revile the whole.
There are very few things impossible in themselves; and we do not want means to conquer difficulties so much as application and resolution in the use of means.
I would write my editorials using a manual typewriter in pitch-black darkness... I would produce the whole thing without having seen the text.
That's the thing about magic; you've got to know it's still here, all around us, or it just stays invisible for you.
The great thing to remember is that though our feelings come and go God's love for us does not.
We may play in a contemporary rock vein, use standard bebop themes, and many other things besides.
No matter how small and unimportant what we are doing may seem, if we do it well, it may soon become the step that will lead us to better things.
Of course things get stagnant; people get too used to their environment, but that's why I'm in my district every week, at meetings with my constituents.
Of all the things Christ wants for us, loving Him and focusing our attention on Him are the most important.
There are some things we can never assign to oblivion, memories we can never rub away. They remain with us forever, like a touchstone.
Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?
It's interesting - an actor's research is different to just historian's research. I'm looking for things that I can actually physically use in the movie.
It's the face and the body and the thing that we hide inside that can keep us from the world, but my voice is my voice.
Well, I try to not view things through a prism of anti-Semitism, because often, people will use that as a sort of knee-jerk reaction to any criticism of Jews.
Being able and willing to complain is what makes us rational and moral animals, capable of seeing and articulating the difference between how things are and how they should be.
True realism consists in revealing the surprising things which habit keeps covered and prevents us from seeing.
It's always discouraging when you don't have things go your way. They are frustrated just like the rest of us.
