When a band becomes as truly iconic as the Velvet Underground, there will often be a box set released, overburdened with mediocre material that dilutes what was fine left on its own.
I like Velvet Underground, but I was never really hardcore into them. I like them, and I like Nico, but I won't front like I'm super knowledgeable. I just never got around to it.
Feelings are more dangerous than ideas, because they aren't susceptible to rational evaluation. They grow quietly, spreading underground, and erupt suddenly, all over the place.
Open debate is our strongest tool in standing up to extremism. The far more dangerous avenue is to force extremist ideas underground, where they can fester without competition.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
Fall 2013 was inspired by the 1970s equestrian lifestyle. I wanted to incorporate the moody and romantic - intricate baroque detailing and classic menswear elements - with something tougher and edgier in a nod to London's rock n' roll underground.
Though gay lifestyles have certainly moved into the open, there's little evidence that society has become more open in its basic attitudes or that entertainers should feel cozy in emerging from the velvet underground.
I like Jay-Z, 50 Cent and Common. But I like the underground stuff like Young Jeezy, Black Rob and Shine. I also love heavy metal like Slipknot and Pantera, It's very intense stuff.
The first thing I learned was the 'St Louis Blues' when I was eight. Both my grandmothers, my mother and uncle played the piano. This was post-war Britain, and they played boogie woogie and blues, which was the underground music of the time.
I know Diplo knows a lot about underground music culture - he was one of the people to put me onto music like that when I used to listen to the Mad Decent Mixes. It was like, 'Oh, he knows what I want.'
When I was very little, I was into Michael Jackson. At six or seven, it was Madonna, but she's not what she used to be. I've been into everything from Edith Piaf to Joe Strummer to the Velvet Underground to Suicide to A Tribe Called Quest to African ...
To me, 'Underground Luxury' is kinda like a contrasting title, and the reason for that is because on this album I plan on introducing to people and reintroducing to people the side of me that they didn't see on the first album.
A typical day in the Senate requires several trips to the Senate floor and back, although the journey is usually underground so that on some days, once I arrive at work, I never see the sun.
She was crouched in the corner of the room, eating something off the floor. It was the old woman dressed in endless black. When she looked up this time there was no question she was there for me. She had the face of my mother but much older, her anci...
I've always been told my presence brightened up any room. One might think that went doubly for dank underground cell." (Jace)
I'm lost in space and I want to find a way home. Nobody else can get me back to the planet, so I have to do it myself.
This is one of my favorite things about the Underground: the crashing of the cymbals, the screeching guitar riffs, music that moves into the blood and makes you feel hot and wild and alive.
The saxophone does not speak that language. The saxophone speaks the language of the underground, the jaded melancholy of the half-light—grimy and sexy and sweaty and hard. It is the language of orphans and bastards and whores.
I’m in a secret underground hideout of a group of monster hunters, filled with magical totems, brass monkeys that move and enough firepower to take over a small country.
Man only likes counting his grief, he doesn't count his happiness. But if he were to count properly, he'd see that there's enough of both lots for him.
But men love abstract reasoning and neat systematization so much that they think nothing of distorting the truth, closing their eyes and ears to contrary evidence to preserve their logical constructions.