Theater is still a medium which attracts young writers. You'd think that it would be all over by now, with television and film. But it's not.
I still think of myself as a stage actor. When I do film and television I try to implement what I was taught to do in theatre, to try to stretch into characters that are far from myself.
The master plan does not have a master plan. Television ultimately finds itself, and after it finds itself, it finds itself changing.
There are many films and TV shows I make where people find themselves in fantastical situations; as often as possible, their reactions to it are very normal.
Investigation was like a series of job interviews. Getting the door slammed in your face at every attempt wasn’t the exciting life of the detective portrayed on film or television.
I wasn't allowed to do commercials. I wasn't allowed to do TV series. I wasn't allowed to do soaps or basically anything that would mean I missed too much school.
There's something about the impact of a big screen that means something to me, even though I realize almost every film is fated to be seen for a year in theaters, and then forever after on television.
My son is not that emotional. He thought my trip to India is just another conference, But when he hearing about my visit on TV, he too got moved.
If you'd have told me five years ago that I'd have done all this - two books, some television and everything - I'd panic, I'd be scared.
My kids would come in from school and sit on the floor in front of the TV and line up duck call boxes and put the stickers on the duck call and then put them in the boxes.
You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.
For kids growing up now, there's no difference watching 'Avatar' on an iPad or watching YouTube on TV or watching 'Game of Thrones' on their computer. It's all content. It's just story.
'24' and 20th Century Fox and Sky TV are not responsible for training the U.S. military. It is not our job to do. To me, this is almost as absurd as saying, 'The Sopranos' supports the mafia, and by virtue of that, HBO supports the mafia.'
I'm a visual person - when I write, my input is always visual. I worked in television for several years.
One of the few good things about modern times: If you die horribly on television, you will not have died in vain. You will have entertained us.
When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.
Anytime I do a movie or a TV show, I make them aware of my hearing loss at the beginning, and that makes it much easier for all of us to communicate and get the job done.
Live television drama was like live theater, because you moved without thinking about the camera. It followed you around. In film you have to be more aware of what the camera is doing.
I told them I belong to the same organizations and clubs Mrs. Roosevelt belongs to, but with a few brave exceptions, I was still unable to do films or television for the next seven years.
I have a surfboard that says 'Linda Hunt Choice TV Actress: Action.' I am an action star! I don't know what that is about, but I like it.
I was dreading all of the ghost stories of working on American television, not in the least, the length. In Britain, a series is six episodes of an hour drama, maybe sometimes eight, but never twenty-two, so I was petrified of that.
