Growing up doing those Kiwanis Clubs, doing those Cub Scout banquets, doing those church shows, I learned to find that sensibility that most people could laugh at - that all ages and demographics could laugh at.
You think you have some stable talent that will show no matter what you're writing, and if it doesn't seem to be getting across to the audience once, you can't imagine that moment when it suddenly will. Gradually, gradually you gain that confidence.
Never be afraid to offer a smile; sure the risk is that a few foolish people may misinterpret your kindness as weakness, but the reward in their error be that at least they cannot blame you because you did show your teeth.
For those that don't know much about 'American Idiot' or Green Day, just know that it's my generation's The Who's 'Tommy' or Pink Floyd's 'The Wall.' It was an album that really spoke to a generation. The theatrical show encapsulates that feeling and...
There's certainly pressure to find your audience early. You need to paint the picture, but it's tough trying to find the balance between a show that people can tune in on any given week while still grabbing the people who are there every week.
In a world where discovery is more important than delivery, it's the people who find, remix and direct attention to old stuff that should be rewarded, not the people who deliver it or sit on it waiting for someone to show up.
Left Behind takes what to some people may be unbelievable predictions from the Bible and shows how they might play out. It makes the events of biblical prophecy understandable and thus believable.
I bought one of those Learn How to Play Guitar Chords By Yourself and it shows you the diagram where to put your hands and I took that in my room, sat with my singles and learned how to play guitar.
I warm up. I do about 50 push-ups with my trainer and my security just to get pumped up before a show, get our energy up. And then I just go have fun.
The shows I've been working on, especially 'Parenthood' and 'Friday Night Lights,' I think are completely character-driven stories. I think, for most writers, that's a privilege to be telling those kinds of stories. It's erroneous to me.
Goats are the cable talk show panelists of the animal world, ready at a moment's notice to interject, interrupt, and opine. They have something to say about everything, little of it complimentary. They are the most impertinent animals I have ever kno...
Don't you understand how dramatic it is to be a comic? To be a fool, to get people to laugh at this show-off? Milton Berle could take Laurence Olivier and stick him under the table if he wanted to. And so could I.
We had this party in New York, and there were a lot of gay men there dressed up as the characters. I showed up just looking like myself, but it was a real case of shame. They looked so fantastic. We could never quite live up to it.
Juno MacGuff: [showing ultrasound photo] It's a baby. It's your baby. It kinda looks like it's waving, you know, like it's saying, "Hey Vanessa, will you be my mom?" Vanessa Loring: Aww, it kind of does.
I would love to be employed for the rest of my life... But what I would want to do is things that would frighten me, things that would scare me. I've never done that before; can I do that, can I show them that I can do it?
Because I'm shooting 'The New Normal' and 'Real Housewives of Atlanta' at the same time, so my schedule is double. I leave one show and go and shoot the other. The cameras are with me for, like, every day of my life. So I'm extremely tired.
A lot of actresses feel the pressure to constantly look good, to constantly show how well-toned every inch of their bodies are and how much they've been to the gym, not necessarily to do justice to the role they're in, but to point out to the produce...
The thing with playing live is, most of the audience is in their 20s and 30s. If you're older than that, you don't tend to go out to shows anymore. So it's good if you can attract a younger audience because they've got the energy to get up off the so...
'Emeril' came on the air right when a new president of NBC was taking over, and there was just a big shift going on. And then 9/11 happened, and that really pretty much killed it, because the show was already having a hard time finding an audience. I...
[Agnes and Elin are trying to hitch to Stockholm] Elin: What the hell are we doing? We must be out of our damned minds! Agnes: Yes, I know. Elin: But we are so fucking cool.
Elin: Shit, let's go to the party. I have to anyway, cause my jacket's there. We'll go and hit someone. Agnes: No, I'm not invited. Elin: So? We'll burn the house down.
