My favorite thing is when cartoon fans show up to my live gigs! They are always the most kick-butt audience members 'cause they're not trying to act all cool like a lot of the music fans do!
Fantasy fans are incredibly loyal and passionate. Other people don't want to be seen as passionate about things, they want to be cool and laconic. The great thing about fantasy fans is they'll really get behind a show.
We're gonna try and bring on all the different aspects of horror movie making and bring on guests and show all these old '50's B movies. Not the real corny ones, the real cool ones.
I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
When you see people who are really good at game shows, the one common attribute is a cool head under pressure: an ability to perform as well in the studio, surrounded by lights and noise, as you do on your couch.
If we just stick to one kind of music, our creativity is limited. We wanted to extend the audience for the cello, especially the younger people, and to show them how cool and how powerful and how diverse the cello can be.
People recognize certain things, like 'D' means 'this dialogue stinks.' We're dealing with shows that are written here, shot in New York and posted back here. Accurate communication is a necessity.
The plastic bottle we're throwing away every day still stays there. And if we show that to people, then we can also promote some behavioral change.
If you want to make change, 'Show me how' can be a stronger, more effective approach than 'Just say no.' That's what I think.
Mental illness is the last frontier. The gay thing is part of everyday life now on a show like 'Modern Family,' but mental illness is still full of stigma. Maybe it is time for that to change.
All of Africa's resources should be declared resources of the state and managed by the nation. Our experience in Bolivia shows that when you take control of natural resources for the people of the town and village, major world change is possible.
I don't have to worry about writing jokes. I just tell stories about things that have happened to me. As long as I'm alive and I'm living and I'm experiencing different things every day, the show will always change.
History shows that people often do cast their votes for amorphous reasons-the most powerful among them being the need for change. Just ask Bill Clinton.
And I have no doubt that every new example will succeed, as every past one has done, in showing that religion and Government will both exist in greater purity, the less they are mixed together.
The first presentation of my show was given in May, 1883, at Omaha, which I had then chosen as my home. From there we made our first summer tour, visiting practically every important city in the country.
With Yowza there are no games, you don't have to check in or become the mayor or go back home and redeem anything online - you will always press one button, show the coupon at the register and save money. It's as simple as that.
People just expect you to show up, be a cartoon character of yourself, take your money and go home. But don't screw up to the point where you're gonna be out of the picture.
I try to acknowledge both the sacred and the silly in my work. That goes for the live show as well. If I find myself in my head or dwelling in seriousness, I think of my friends back home and how they'd be laughing at me.
The truth is, working on single camera, show or film, you have no life. You work 60-80 hours a week. You're up before your kid gets up, and you're home when they go to sleep.
I went to work. That was a turning point. When you have to do eight shows a week and your name is on the marquee, no matter what is going on at home or what's on the cover of the newspapers, you've got to do your job.
After I hit a home run I had a habit of running the bases with my head down. I figured the pitcher already felt bad enough without me showing him up rounding the bases.
