Many fear mistakes. In TV and films you just re-shoot the scene. In life do the same and just shoot a re-take.
Television has greater power over the lives of most Americans than any educational system, government, or church.
You don't have to know how to build an automobile or a television set or a laptop to know how to use it.
We don't move on in the stunt unless it looks like a hit. So when I see it on TV, I'm generally satisfied that people are going to buy it.
I've always loved watching the news on TV. As a kid, I loved watching Walter Cronkite, for some reason.
HBO and I have a deal to at least try to make a television series from the Leonid McGill stories. We're going to start with the first novel, 'The Long Fall.'
I'm not against watching myself, but I miss a lot of it. I've got two little kids who we don't let watch TV.
In Russia we only had two TV channels. Channel One was propaganda. Channel Two consisted of a KGB officer telling you: Turn back at once to Channel One.
I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.
I had no plans once I finished my football career, which was a problem, so I had to go looking for work. Television was the one area that it was easier to get a job than anywhere else.
I think in my job, it's quite difficult to find work on television... you don't necessarily want to get a profile for something that you don't fully believe in.
Whether you're on TV or on the stage, you have to work hard to stay fresh, real, and full of energy. You can't settle back. You always have to stay on your toes.
This programme would only really make sense and work properly if it was also broadcast on France's international television channel TV5. So I ended up with a double production, on France 2 and TV5.
I think that in order for anything to work on television, you have to have conflict. Nothing can be too happy or it's boring. People don't want to watch that - they want to watch things that are exciting and dangerous and sexy and have tension.
The Australian film industry is a small industry, so you have to really be flexible within working in different mediums. A lot of actors work in theater, film, and television, because there's not much opportunity in terms of employment there.
There is so much cross-pollination between the U.S. and Britain in terms of comedians. British TV comedies work well in the U.S. American stand-ups make it big in Britain.
I started in theater. I would liken sitcom work more to theater work than I would, perhaps, to dramatic television. It's so quick. It kind of feels like the pace of a play.
I started out as Keith Mitchell. I had done probably about ten years of television work under that name. Then my grandfather passed away in 1984. I wanted to honor him and his name.
If I didn't work in television or film, if I didn't have the right look, I never took it personally. Because there was always the theatre. I'm not a nihilist, I'm an optimist. And that has served me well in this profession.
For me, my 20s were all about reaching for the brass ring of work in theater, television, and film, surviving in between by waiting tables, painting houses, serving coffee, and temping.
It used to be that if you were on a sitcom you couldn't get work in film because it was so different. Now it's almost like you have to be on TV to do other film work.
