I think there's an essential problem in movies and TV that I think a lot of people experience now: Audiences are way more interested in the actors than the characters that they're playing. It's a strange thing.
'House of Style' changed my life. I literally had no experience in front of a TV camera before, and there I was taking over for Rebecca Romijn. My exposure heightened instantly.
I think, especially when you're on TV, once you become associated with one genre or the other, it's near impossible to break into the other one, even if you have experience with both.
I wanted to play a TV detective because it's a rite of passage; I wanted to experience every area of acting. I haven't done comedy or as much Shakespeare as I had intended.
I loved my experience on 'Downton Abbey.' We shot it in six months, and it was the first time I'd ever been on TV, and I was surrounded by my friends. It was a wonderful, wonderful time.
Stage work, that's all I have in my background. Wasteland was my first TV experience. Dawson's was my first long-term, I mean the entire season of 22 episodes.
I graduated from UC San Diego, wanted to work in film to get my hands-on real experience, did music videos, TV, feature films, all kinds of stuff.
Like baseball, food will never go out of style; we will always need to eat and we will always find it entertaining. I think of food TV this way - all the fun and none of the calories.
They know they got the TV ad, they know they got the name recognition, they know that they can do a tie in with McDonald's or some fast food outlet and the money is just gonna flow in.
I pretty much have no life outside of the theatre. I go home every night, and I put the TV on, and I veg out and order food.
It only looks like I get to eat a lot of food on TV. I really just get the one bite and the crew and guests eat everything else.
I found out a long time ago that if I indulged by stuffing my face with great food, lying about reading books and watching TV or talking on the phone, I was not a happy camper.
I think television keeps on being a place where writers can go, and if they're successful, they can have their way, and they can have creative freedom.
In TV writing, I felt like Gulliver being tied down by the Lilliputians. There's so much more freedom in fiction writing.
The two major things that changed the makeup of all professional sports are money generated by television and courts that players went to in order to win their freedom as free agents.
I watch so much TV, it's sad. I watch 'Happy Endings', '30 Rock', 'Parks and Rec', 'The Office', 'Eagleheart', 'Children's Hospital'. 'Modern Family' I guess I'm still kinda watching.
I would argue that television and particularly the BBC were instrumental in puffing up the Royal Family to a level where they were inflated out of all, all proportion to their relevance on the national scene.
On radio and television, magazines and the movies, you can't tell what you're going to get. When you look at the comic page, you can usually depend on something acceptable by the entire family.
When I began to think about the head of the family, the storyteller, the rise of television which became the new storyteller, the break-up of the American family as an idea and then Avalon came.
Conservatives are routinely pilloried on television. A&E likely greenlit 'Duck Dynasty' in the first place because executives believed Americans would laugh at the redneck antics of the self-described 'white trash' family.
I've had a passion for horses since I was very young - I used to sit on the floor in front of the races on television and pretend to be a jockey - and I first began reading the racing form on the set of 'The Partridge Family.'
