I don't have much of an attention span for TV - I nod off during the basketball playoffs - but when I watch 'Game of Thrones' on On Demand, I'm glued to the set. It's mystical and addictive. Tyrion Lannister, that's my man.
I have never had a lap dance in Tampa or any other part of Florida. If I ever did have a lap dance, I don't think I would be discussing television ideas with the girl that was giving it to me.
The ones that landed near the bathroom are Bad Tolkien imitations or transcripts of a D&D adventure; bad Herbert, Heinlein, and Asimov are below the television; and these on the bed are the ones whose authors I want to hunt down personally and slap.
Television is ephemeral, a fact that some will find reassuring. But earthlings will continue to pump the kilowatts into the ether. And eventually, when those signals have washed over a few hundred thousand star systems, someone may notice.
The longtime standard for American TV was 525 lines from top to bottom of the image. As a practical matter, that was roughly equivalent to 350 thousand pixels - pretty crude, given that photos made with your iPhone boast five million pixels.
On my first TV job I didn't have a clue. They'd tell me to hit my mark and I had no idea what they meant. You just pick it up. And ultimately, all it's really about is pretending to be someone else.
I always knew how to cook and at one point in my career where I had done nine television pilots before Three's Company and they all failed, I just got discouraged.
I got my first television at Stanford when I was 20, and I used to watch 'The Dick Van Dyke Show'. He played my father on 'Becker,' and he's still one of my heroes. Along with John Cleese, he's my favourite physical comedian.
There's a lot more people out there than you would think who cannot differentiate between TV and reality. I do think there's a lot of people out there who think I'm a nasty human being.
I grew up in Mammoth Lakes, and they shot an episode up there, and I was hanging around when I was on the ski team. I was very, very involved in athletics, so I didn't watch a lot of TV, but I definitely watched a lot of '90210.'
I grew up as normally as any other kid. Between that small TV part I did at five and when I turned professional actor at 18, I stayed away from the limelight, so I was just like any typical kid who went to school.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.
I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
If I had an office job, I'd probably be doing the exact same thing I'm doing on television: hanging out by the water cooler and talking to co-workers about their relationships.
My parents were Northern Ireland Labour party people. We read the 'Guardian' and the 'New Statesman,' listened to the BBC. The house was full of books. We didn't get a television until 'That Was The Week That Was' started. There was nothing to do but...
My role on television is one of helping people reexamine the assumptions that they hold. I regard Dr. King. You would never hear me get up and speak without in some way, shape or form, referencing, Dr. King.
Criticism is something that you have to take, regardless of what you do. Even if you go out there and try to make the most vanilla, non-offensive TV show possible, people are going to criticize you for doing that. It's just part of the game.
I don't feel the obligation to have a big explosion in the first 20 seconds so the audience doesn't turn on another channel. We are trying to make something that looks like a feature film that was bought for television and I think we are succeeding.
The once inviolate frame within which programs or commercials were displayed on television - always separately - has been violated to a pulp. Program content is seen increasingly as a mere backdrop on which ads are posted like billboards on a fence.
You do have to wonder how Jack Bauer, maverick hero of '24,' can stay hidden for so long when no matter where he goes, he always seems within range of a TV camera. Or six.
