There are few things quite so effortlessly enjoyable as watching an eminent person getting in a huff and flouncing out of a television interview, often with microphone trailing.
My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.
If we could follow the slogan that says,"Turn off the TV and open a good book" we would do something of substance for a future generation.
Film is a very tight little box. If you don't fit in that box, you're gone. Television, there's more room to move around.
For me, I think there's a lot more room in cable television to tell broader stories. NBC and the networks, they're all very mainstream, and they're a little more conservative in how they approach storytelling.
Pay-TV companies that built their businesses on the backs of local and network broadcast signals should pay a fair price for access to that high-value programming.
I know if I stopped hosting 'Wine Library TV,' we'd probably lose 75 percent of our audience, but the remaining 25 percent is still a big number.
China is starting an English-speaking television network around the world, Russia is, Al Jazeera. And the BBC is cutting back on its many language services around the world.
With theater, you have to really be able to listen and to respond to other people on stage. You're all constantly on your toes. And then with film and television, you can get a second take and things like that.
On TV, you never know where it's going. They may even lie to you about where it's going. You never really know because the scripts come in every couple of weeks or so.
This thing that Colin Powell's son is expected to do is kind of scary when you think that television and radio and newspapers are what make people think what they think.
Film and television is just a different technique in terms of how to approach the camera but basically the job is the same; but what you learn as a craft in theater, you can then learn to translate that into any mediums.
There is a lot to be said for collaboration, and it should be seen as just another way to do things as it is in other forms of writing, such as for television, where it is standard practice.
The idea of a tax on the ownership of a television belongs in the 1950s. Why not tax people for owning a washing machine to fund the manufacture of Persil?
I was very much a latchkey kid. My parents would feel the back of the television to make sure I hadn't been watching it when they were gone, which inevitably I was.
I knew when I grew up, I always wanted to be a liar, and if you're in television, you're lying because you're just pretending to be yourself much like I'm doing now.
Coming from TV and film, rule number one is that you always service the main character first and foremost. If that's not working, you've got nothing.
I was wildly out of style when that television theme song suddenly pushed its way onto the Top Ten. It was certainly not the record company trying to make that happen.
I think the media makes it tough to play in New York. There are so many papers and TV channels covering the Knicks and the expectations for the Knicks are so high.
I have a couple screenplays that are done, and I'm looking for the right people to help me make them. I do a lot of television writing to develop new ideas for shows.
[...] with the protecting sky in all its splendour and the golden sun blazing forth against a backdrop of crystalline blue, to use the inspired words of a television reporter[...].
