When you do a play, you have the kind of nightly feeling of accomplishment. But you also have the daily dread of the doing it every night. And because you're doing the whole thing every day, it's like climbing up the mountain every single night. With...
I often put any project I write in a different decade just to roll the thought around in my head. There's a thriller I've written that I think would be nice to set in the '70s or '80s, just to take cell phones away from the movie. There's nothing lik...
I don't want to admit it, but I do enjoy the feedback from the audience. It's instant feedback. It's like, you could do a movie, shoot it for a year, wait six months, it comes out and you gotta do three weeks of marketing. Three weeks of that, and ev...
I grew up on movie sets, so it was something I just found familiar. When I was growing up also, in high school, I would audition for things and my parents let me audition for things - with the thought that I wouldn't get them. And then I would get th...
Good art requires the examination of faith issues from a variety of perspectives and voices. Yet for many audience members, the only way a film can be “Christian” is if there is a major altar-call type scene with a dramatic conversion. If the mov...
How do I let the director know how obsessed I am and willing to do anything for the movie? Like, I wanted to write this one director a letter, so I wrote him a handwritten note. But then I was like, 'How many people are writing this guy handwritten l...
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think ...
Ronnie Neary: All right, everybody to bed! Toby Neary: No, wait! Dad said we could watching The Ten Commandments! Ronnie Neary: Roy, that movie is four hours long. Roy Neary: I said they could watch the five commandments.
Vincent: No one can draw a clear line between sane and insane. You move that line as you see fit for yourself. No one else can. You'll understand soon... that the one that's insane is this world. Do you want to come with me? The only ones left will b...
Faye: You're gonna take the entire world down with you... but why? That's insane. Vincent: You think so? Is there an indelible line dividing sanity from insanity... Or do they change, one into the other at the slightest change of events? We'll find o...
Worker: Who are you? Faye: Can't you tell? I'm just a gun-toting weathergirl. [fires rounds of her machine gun into the air] Worker: What do you want? Faye: I want you to make it rain. Worker: Why? Faye: Why? To crash a party.
Vincent: Before you part from this world, can you tell me something? I am already dead since Titan and this world the butterflies are showing me... Is it a dream? Or is their world the real one and the world where I was, the dream? I don't know.
Laughing Bull: Know this Swimming Bird: This blue eye percieves all things conjoined. The past, the future, and the present. Everything flows and all is connected. This eye is not merely seen reality. It is touching the truth. Open the eye of truth.....
Spike: [English version] Excuse me Jett, you said three, not four. Jett: Disinformation is sometimes required for enemies as well as allies. Spike: Don't give me that art of war crap, [pointing to the thief] Spike: and you, you take too long to take ...
Irene: What do you do? Driver: I drive. Irene: Like a limo driver? Driver: No, like, for movies. Irene: Oh. You mean all the car chases and stuff? Driver: Yeah. Irene: Isn't that dangerous? Driver: It's only part-time. Mostly I work at a garage.
Emmet: [to the Master Builders] I have no experience fighting, leading or making plans. It's going to be really hard, but I... Metalbeard: [Gets up from his seat, yelling] Really hard? [Looming over Emmet] Metalbeard: WIPING YER BUM WITH A HOOK FOR A...
[Don's about to start shooting a new movie] Cosmo Brown: What's this one about? Don Lockwood: It's a French revolution story... Cosmo Brown: Don't tell me. You're a French aristocrat, she's a simple girl of the people, and she won't even give you a t...
Eli Sunday: Mr. Bandy has a grandson. Have you met his grandson William? William Bandy is one of the finest members we have at the Church of The Third Revelation. He's eager to come to Hollywood to be in movies. He is very good-looking. And I do thin...
[first lines] Clarence Worley: In Jailhouse Rock he was everything rockabilly's about. I mean, he is rockabilly. Mean, surly, nasty, rude. In that movie he couldn't give a fuck about nothing except rockin' and rollin', living fast, dying young and le...
If I wanted to work financially, I would have made a series of different choices. I do get offered lots of movies which you could make a lot of money out of. And I always say, 'Why would I do that, when someone else could do it much better than me? W...
The first fashion show I ever attended was for Ritu Beri in 1997 or 1998. I think that was the first time Ritu had designed for one of my movies 'Yeh Raastein Hain Pyaar Ke.' She had done a show in Paris, and she had done the same show in Delhi. It w...
