My son had his eighth birthday recently and we had a chance to borrow the film and show it to all of his friends that was at his birthday party and they loved it. I was a little nervous. I said they might not even like it, and say his daddy's movie i...
'Macbeth' is one of the best operas ever, and doing it was a great experience. I added some things to the opera based from my experience on the movie - such as some of the special effects and bits of film - to make it new and interesting. It was a ve...
My nominee for Best Picture of the year - maybe the best picture ever, because it's essentially made up of and is an ecstatic love letter to all other movies - is Christian Marclay's endlessly enticing must-see masterpiece 'The Clock.'
Best strategy for a first date is to ask her questions. Just keeping asking her questions about herself. Her life, her job, her friends, her taste in movies and music and everything. People mostly just want to talk about themselves, so let her do tha...
I just want to touch something deep in the heart of humanity. I don't know if that's in movies, producing films, or writing a book, but I'm concerned about our spiritual well-being as a human race. I want to impact people in a way that makes us all r...
For some reason, the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just lov...
There was a Russian director named Elem Klimov, who did his films during the communist days. They were constantly struggling with the authorities and to be allowed to express themselves. But he did one of the best war movies I've ever seen - it's cal...
I set out to do a horror film with 'Dog Soldiers,' and what I came out with at the end of the day was something that was more of a cult movie, more of a black comedy with some horror elements in it. It kind of went over the top.
I recently finished a job, an HBO movie 'Getting On,' a very dark comedy. It comes from a British series of the same name. In this role I have no hair, no make up and no nails. I play a very small role; she is not over the top and sassy.
If I ever get looks on the street, which, for the record, is almost never, it's rarely because they think I'm someone they saw in a movie. More often someone sees me and thinks, 'Hey, was that guy my waiter the other night?'
I think the character does tend to suit an episodic thing, because what's fun about him is that he doesn't care about anyone else, and it's very difficult for a main character - a lead character - in a movie to not care about anybody else.
I'm a curious person. I pursue things based on what sparks my interest. I'm not thinking about what role I play. I don't have to be a movie director or this or that. I just want to be part of projects and places that are of interest to me.
You can have a movie with hardly any cuts, or very few cuts, that is fascinating, you can't take your eyes away from it... Look at some of the long takes in Citizen Kane.
But in this case, he had my cell phone and my phone was ringing and I had just come back from Australia on the plane and I thought it was my mum and it was Woody Allen just checking to see if I wanted to be in his movie.
The 'Shawshank Redemption' has nothing to do with China, but that hasn't kept social media censors from blocking the movie's title from searches on the country's most popular Twitter-like microblogging service, Weibo.
When I was growing up and somebody like Robert De Niro had a movie come out, it was a cultural event. Because he had such a confidence and a single mission that was so intimate.
Believe me, when people say, 'We want to pay you X-million to do this movie,' I won't be the girl who hangs back saying, 'Oh, I really don't deserve it,' I'll be, 'Un-hunh, hand it right over.'
You have to have a strong idea for a hit movie, a strong core idea that resonates emotionally. It also has to technically achieve its goal - it's got to be well-written, well-paced, and interestingly told.
I'm not in a race with anybody to make the biggest hit movie anymore. I am just trying to tell stories that I can stay interested in for the two years it takes me to supervise the writing and to direct them.
From what I hear, everyone who does a Marvel movie gets a three-picture deal. I'll be Sam Jackson's stand-in. I'll do eight pictures for Marvel, and then I'll just do indies. Marvel can pay for my indie career.
When you're writing for a sequel and there's a movie that's been deemed sacred ground by the fanbase that's the predecessor, you cannot do anything to tread on that, so it's a bit trickier than just being able to sit down and write something.
