A lot of times, I feel like people come up to me because they think I'm like my character in 'Easy A', or because they've seen me in interviews, but really what they're a fan of is a movie or a character.
I did a movie called 'The Savages' with Laura Linney and Phillip Seymour Hoffman, where I played a nurse, and it showed me in a different role from what I played on 'The Wire.' It showed my range as an actor.
I knew the term Stepford Wife, and I knew what that meant. I never read the book, and I think before I started filming I watched the movie. I thought it was very dated.
What you don't see is scarier than what you do. Categorization is always kind of arbitrary, but people have called 'Preservation' a 'psychological thriller.' To me, psychological thriller basically means 'a horror movie without the blood.'
I guess I stopped acting when I was 18 and didn't pick it up again until I was 21. That wasn't the plan, though. When I first started at Yale, the plan was to do a movie each summer.
U.S. foreign policy is Manichaean. It's like a Hollywood movie. You have to know who has the white hat and who has the black hat and then go against the black hat.
I watched 'Iron Man 3' the other night, and my chin was on the floor. 'Vikingdom' is a different type of movie, because it's rooted in reality. The characters are more real; they're not these superhuman people who can fly and do things.
I have become so used to having people say, 'We loved your movie' instead of 'We read your book' that now I merely say, 'Thanks.'
I can play songs that I hear from a movie and just play it a few times on the keyboard. I will hit all the notes on the keyboard until I find the right key, and then I will play the rest of the song.
My first real kiss was actually on the set of 'The Vampire's Assistant' with Jessica Carlson who plays my crush in the movie. I was 15, she was 14. It was actually her first kiss too, so it was an interesting situation!
My first in, my first break, was I met a director and got to talking with her, and she happened to be casting this movie that she had written. That was ten years ago. That got me to Hollywood. I got paid $700 bucks.
My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
First and foremost, you have to make the movie for yourself. And that's not to say, to hell with everyone else, but what else have you got to go on but your own taste and judgment?
When the movie comes out, what anybody thinks of it doesn't really matter to me. I don't go to the wrap party. I don't go to the premiere.
When you watch the first 'American Pie' movie, you're like... 'I know that jock who's kind of sweet and has a girlfriend, and I know that weird off-beat kid.'
I think for us - the Weinstein name, the Miramax name - they've both become synonymous with brands. We have a real winning formula when it comes to championing a different kind of movie, and I think the audience trusts us.
I won't do this movie because I don't believe the love story," she told Selznick. "The heroine is an intellectual woman, and an intellectual woman simply can't fall in love so deeply.
One of my favorite authors, Garbrielle Zevin, she did a book called 'Elsewhere,' that is one of my favorites, and I think they're making that into a movie too. I really want to be in that one just because the story is so beautiful.
If we just made one movie, 'The Hobbit,' the fact is that all the fans, the eight-, nine- and 10-year-old boys, they would watch it 1,000 times. Now, they've got three films they can watch 1,000 times.
I wrote 'All is Lost' while editing 'Margin Call'. I did that long before I knew if I was ever going to get to make another movie.
The original Spencer Tracy version of 'The Old Man and the Sea' was always terribly flawed because of the over-reliance on voice over, but it's still a beautiful movie.
