I grew up loving films and making stupid movies with a good friend of mine, who now actually has a career in a really prominent special effects house, so he's still doing it. We just started messing around with a camera.
With horror movies, a bigger budget is actually your enemy. You want to feel the rough edges, the handmade quality to good horror films. It's a genre that benefits from not having everything at your disposal.
Like anything, I think there are some wonderful found footage movies, and there are some less good. Certainly when it's done well, I really love it. I really love it as a genre.
If you check your ego at the door when it comes to comedy, you've got a pretty good shot at making a great movie that you can commit yourself to, you can jump off the proverbial cliff with, and have a great time, and the audiences respond to that.
I think Charlize Theron is just as good when she is looking really pretty in a movie as when she gains 10 pounds and puts on a nose. I applaud her - good for her that she doesn't care. But she's just as good, whether she's pretty or not.
Skinniness is not your friend when you're over 40. I'd like to gain a good 10 pounds, but I did always have a fat, round face that plagued me when I was young. When I started to make movies, I couldn't look at myself.
I don't read good reviews. I like to know what percentages are going on. When Sony sends out something saying that people are liking the movie, I like to know that, but I don't actually sit and read the good stuff.
When I was a kid, I would make these incredibly bloody movies in my back yard. I was constantly making weird blood concoctions; Jell-O and milk was a good one. I was constantly ruining clothes and staining my parents' walls and stuff.
When you first start out as an actor, you're just looking for a good part. As time goes on, if you're being held responsible for the movies themselves, you're looking for a good script all around.
I've never been a method actress; I've never been that person that wants to imagine horrible things happening in your own life in order to exploit them for your emotional being in the movie. I'm just not good at doing that.
I was beginning to think I was typecast in everyone's mind out there as a serial killer. I played a serial killer in one movie, I was the ghost of a serial killer in another and in a third, a computer-generated serial killer. The stage looks pretty g...
They're still working on the script - they've got to get that nailed down and they want the first movie to come out obviously, not get too ahead of themselves. But yeah, it's looking good. I love the second book a lot as well, so kind of diving into ...
I have no idea why one of our most original filmmakers would want to spend two years of his life translating someone else's movie from Spanish into English. And it wasn't such a good film in Spanish, either.
A way you can get really good abs in film is you get your makeup artist to paint shadows - faux washboard. But if you see me in a movie and I have great abs, it means I have a great body double.
'The Master' with Joaquin Phoenix puts up a good fight, but my favorite movie of all time is 'The Wizard of Oz.' I just love it. I watched it over and over again as a child, and I think it has all the elements of wonder, and it's a beautiful story.
I have been an actor for most of my life. When I started out, I didn't think about anything except what was good for me. Like many movie stars, I became all wrapped up in myself.
This weird thing happens when you're in a movie that has some level of success. People start offering you all kinds of things, and they just expect you to do them because they'll be good for your career. It's not about the project's integrity or anyt...
I love all kinds of movies. I love a really good comedy and not the cheesy ones. My parents hate this, but I love horror films. Those are my favorite, and of course, dramatic roles. I'm really drawn to those as well. All different genres.
Movie acting is about covering the machinery. Stage acting is about exposing the machinery. In cinema, you should think the actor is playing himself, if he's that good. It looks very easy. It should. But it's not, I assure you.
When I shoot actors, I have that dilemma. I want the actor to be good, and sometimes I have to push them to a place that isn't pleasant. I always think: 'Is it worth doing for the sake of the movie?' But I have to remember the bigger picture.
We've had really good mainstream publicity for these books and both Wanted and Chosen were snapped up as movie deals before each series even ended so I'm honestly just pinching myself.
