Tommy Doyle: What about the jack-o-lantern? Laurie: After the movie. Tommy Doyle: What about my comics? Laurie: After the jack-o-lantern. Tommy Doyle: What about the boogey man? Laurie: There's no such thing.
Emmet: [while driving] I wanna go home! [a house lands in the middle of the roadway and Emmet crashes into it] Emmet: That's not what I meant!
Batman: What're you losers talking about? Thought I'd help you guys out. Left the weird cat thing to stall.
Benny: Hi! I'm Ben, but you can call me Benny, and I can build a Spaceship! Watch!
Isaac Davis: It's an interesting group of people, your friends are. Mary Wilke: I know. Isaac Davis: Like the cast of a Fellini movie.
Tom Baxter: Dad was a card. I never met him. He died before the movie began.
Moviegoer: I want what happened in the movie last week to happen this week; otherwise, what's life all about anyway?
[Past guests at the Overlook Hotel] Stuart Ullman: Four presidents, movie stars... Wendy Torrance: Royalty? Stuart Ullman: All the best people.
Kathy: [picks up a cake] Here's one thing I learned from the movies! [Throws it at Don but hits Lina]
Cartman: It was the Terrence & Phillip movie. Kyle: Dude! Cartman: What? Fuck you guys. I wanna get out of here.
Stan: But this is going to be the best movie ever! It's a foreign film from Canada.
If there's something that can be formulated, regulated, give you security, then nobody would lose money. Every movie would be successful. And that's certainly not the case.
I've been lucky, I've had movies that made a lot of money, so I don't feel like I have to kill every time out. I don't want that pressure. I don't need it.
If you look at the paths of other actors, most people have a curve where you hit it and there's a time where you make a lot of money and they let you make your movies, and then they take it away and it's gone.
What counts in Hollywood is box office. It doesn't really matter what people think of you as an actor because, as long as you have been in a movie that has made money, you will always get another job.
I've never been that much of a money guy. I'm more of a film guy, and most of the money I've made is in defense of trying to keep creative control of my movies.
The one thing I am very strict about is that I don't like spending a lot of money on movies because the more money you spend, I think the worse that they get.
HATE, even if it's making money. is an underground movie, that's how it was made. It's a film about police brutality in the largest sense, it's about the whole of society and not just about the hood.
I go to movies and concerts and stuff - that's why I think all my money would be gone if I weren't working because I just keep spending it, on that, and CDs, and I don't know.
I've had it happen to me before where it turns out that they never had the money and couldn't have made the movie in the first place. And these are the things you have to look for when trying to read the behavior of the people you sit down with.
The money part is one of the most difficult things. Coppola always said I should do a tango movie. If it hadn't been for him, I don't know where we would have gotten the money.
