I would love to do comedy. I think I'm funny and that comedy is my strong suit, at least in real life. I have yet to prove myself in the movies, but I'd love to get the opportunity to do that.
Just for fun, I'm really goofy and I would love to do some stupid comedy. I'm talking, like, crazy, out there, Will Ferrell type of thing. I love it; I think those movies are so funny.
Nothing has ever touched on what fun childhood was. Summer holidays were bliss. We made home movies, with real stories in them. My father had such charm and charisma, and made everything so funny.
Every girls' night needs a funny movie and a good conversation about guys! My friends and I also love picking outfits out for each other to try on at slumber parties. It's so fun.
I've never directed before, so I need to make sure that people know that I can. The movie that I've written, 'The Sophisticates,' is a... small ensemble comedy and I hope it's charming and funny.
The other day in the garage, I found a book report from the seventh grade that I did about silent movie stars. It's funny to look at now, because it really foretold what my future would be.
I really like 'Gladiator.' I like 'The Dark Knight.' I really liked, when I was a kid, 'U.S. Marshalls.' I like funny movies, too. 'Old School' and 'The Hangover.' 'The Hangover' was up there; I liked it.
It's funny how it usually works out that I end up dying. It sort of works out, because by the time I die, I'm usually tired of working on that particular movie, so I look forward to it.
As you know it is a comedy so everything is a little bit pushed. That's what's funny about this kind of movie is you can laugh about the absurdity, and the bad side of life.
Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a ...
There's so much craziness that comes along with being a movie star that you can get so confused. Unless you've spent your whole life waiting to be the centre of attention, it's pretty terrifying.
I've had some painful experiences in my life, but I feel like I'm trivializing them by using them for a scene in a movie. I don't want to do that. It just makes me feel kind of dirty for having done that.
When you do one movie at a time, if one goes crazy and becomes successful, your life changes. But you can step back and catch your breath.
I began with small roles in successful movies like 'No Country For Old Men' by the Coen brothers; but it was 'The Last Exorcism' that changed my life: with what I earned, I left Texas and moved to Los Angeles.
'Bagdad Cafe' was a film that changed many, many people's lives... how they saw themselves and how they looked at their life situation. I thought I made a little movie. All the mail that I get is about how it changed lives, and that's wonderful.
The movies I've made at a certain time of my life were exactly right for the stage of my life, the frame of mind I was in at the time. Each character I've had to play has been me in that time in my life.
I just don't want to make the same old movies. I'm not interested in it. Directing's hard. It takes up a lot of your life, and I'm not that interested in making the same old film.
I think action movies bring more excitement than tears, but I always want to take it to another level. I mean, I think if one appreciates anything in life to a certain degree, it could possibly bring tears to your eyes.
I can't comment on any outside perception. I'm happy to come out and talk about movies that I've worked on in a setting like this. Otherwise, I have my own life that I live which is very different and private.
The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.
'Hairspray' was a movie turned Broadway musical turned Hollywood remake, and that is the 'Lion King' circle of life as we know it in Times Square, the creative loop that swings for the stars and sometimes crashes into the upper deck.
