It seems that the small movies are a little more risky and cutting-edge. You've got your big commerce and you've got your small films that you're more passionate about.
Movies have to handle time very efficiently. They're about stringing scenes together in the present. Novels aren't necessarily about that.
The problem with romantic comedies is you know the ending by the poster. So they're not movies you can keep doing over and over again expect satisfaction somehow.
I don't like doing movies that are meaningless or unrealistic. I like things with a lot of reality to them. I'm a pretty serious kind of person myself. Things affect me.
I've been told I've done a lot of flop movies. And I think, 'Wow, I've never considered them flops!' I've loved every character I played.
There's plenty of room for all sorts of movies and all sorts of comedies, so I never saw that as a competitive thing. I think there's room in the marketplace for everything.
I wanted to keep exploring... I'm not about to choose a series of movies in which I can use the same bag of tricks and style that I used in the first film.
I started watching movies my grandpa did, and I saw what an impact they made on the world. That's when I said, 'Hey, I want to do that too.'
I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.
Some movies to me are like vampires - they suck all of the energy out of me and I don't like that. I like to give the audience energy if I can.
The movies that work are the ones in which somebody very smart figured out how to take all the thematic material, all the character material, all the filigree, all the beautiful writing, and put it into a story.
I think you have a responsibility to the people you're making movies with, and I take that very seriously. I don't want to let up and I don't want to let down.
I was a total athlete. I loved sports, but when I realized I wasn't going to be a professional athlete, I realized I wanted to be in movies.
You can't intellectually purge yourself of who you are. Whatever that is, it's going to come out in the wash, the film wash. What you are is going to be relevant, if not to yourself, to the movies you make.
I definitely have found a balance. I've had so many offers in the past to do different movies or different things and I always choose tournaments over it.
I never really got nightmares from movies. In fact, I recall my father saying when I was three years old that I would be scared, but I never was.
Ultimately, there's always been a link between comic books and video games, and comic books and movies, and then basically all three steadily becoming this sort of transmedia.
Yes was a band where we could explore some of those ideas, but I knew that if I wanted to get into orchestral music and make a living at it, movies seemed to be a perfect spot.
It wasn't until I saw James Dean that I began to think that maybe I could actually do this. Movies didn't have to be just this fantasy with this impossibly handsome guy.
For years in football I was angry with the game, angry with pundits and, a lot of the time, angry with the journalists writing about me. All that changed when I got my break in movies.
In my opinion, the vast majority of scripts written - as well as most movies that are released - are not very original, well-written, or interesting. It has always been that way, and I think it always will be.
