And so there are so many good things going on all across Iraq and unfortunately that's not what the American people see on TV or they don't read a lot about it in the newspapers.
I love a good steak with a great glass of red wine. But for the TV watching, laying around doing nothing kinds of days, nothing beats a pepperoni pizza and chocolate Haagen Daas.
All Oprah needs is a good book. My only request when she's building any house is, 'Could I please have a TV in my bedroom?'
I believe in meditation - it's a good tool to centre yourself, but unfortunately, I'm too lazy to do it. It's very hard work, and I prefer to watch 'Nothing To Declare' on TV!
I think sometimes actors are drawn to good television because you have more time to sell it, you have more time to shape a character, and to tell a story, and that's really appealing.
Cynics will say there are no good people out there. And if you read the papers and watch TV news you could be convinced of that. But there are good people.
I have good voice inflection, that's why I'm good on radio. But on TV, I look too big because I move my hands around a lot.
Constantly there's a credibility issue; you're judged on how you look. If you look good, people assume you aren't credible. It's a battle you'll always fight if you're on TV and a female.
There's sort of a very symbiotic thing that happens on good TV shows with great writers, which is that they start to sort of embrace who the actors are and try to make the roles more specific to what they bring and what they can do.
I'd love to have my own TV show, in the way that Julianna Margulies has 'The Good Wife,' or a lovely ensemble show, like 'Six Feet Under.'
If I don't eat something after I work out, I get shaky and cranky - not a good combination when you're a television host.
I'm not saying I want a film career because I think I'm too good for television. I'm simply saying I want more control over my life.
We're used to boy meets girl, boy likes girl, instant attraction on TV. But you throw a son in there, you throw a marriage in there, and you've got some really good character stuff.
In a lot of ways, TV writing taught me how to be a good storyteller. I learned about dialogue, scenes, moving the plot forward.
I wasn't campaigning for a role in a Hollywood television series, it was a fluke. So you've got to have a measure of good luck, you really have, being in the right place at the right time.
People like continuity, and the good old cliffhanger every week is something they enjoy. I enjoy it - I don't want to dip into just one episode when I turn on the TV.
In TV, and in particular in commercials, you don't really need to explain very much at all - you just say he's a spy and he's a little bit theatrical and overblown and smug and he's not very good at his job.
Particularly with live TV, I have a really good time reacting in the moment to things that are going on around me. I try to think of the viewers' perspective too.
Television's grown up a lot. It's a little more adult, which I think is a good thing. It allows actors to tell more complex stories. I'm happy to see where it ends up.
I actually think there's a potential, a crazy potential, that network TV could become something valuable and worthwhile, just because of fear on the part of the networks.
I watch a lot of television, for better or worse, and I am particularly interested in what Michael Moore brought up in 'Bowling for Columbine,' which is the idea that they're selling a narrative of fear.
