I would try to write my own story about some East Coast suburbanite having an affair or something like that. So I did that for maybe two years or so, and it just wasn't working for me at all.
I was 35 when I started taking classes at Ohio University. After I got my degree, I kept working at the mill. When I was 45, I decided I was going to try to learn how to write short stories.
I was frustrated because I couldn't get going, as I was trying to figure out how to make films. I had various jobs, I taught a SAT class, I was a bartender, I had a day job at an office and was making short films.
You know, in China, they say, come on over, we'll build the plant for you. Of course, then they steal your patents, but the reality is that they are aggressively trying to take our jobs. Every other country is. They know that to have a middle class, ...
We learned a verse of this and that and we were having fun with the songs. Tommy would make up stories to go along with them and I would yell at him, 'Hey, stupid, that's not right,' and he was like a silly kid trying to impress.
English teachers, workshops, and myths try to make writers slow down. We are the ONLY ART on the planet that tells young artists to not practice and do less to get better. Head-shaking in its stupidity. And new writers buy into that.
Griff held his breath, waiting for it, knowing the axe would fall and he‘d start dying as soon as he walked out the fucking door, and Dante would just grin and joke and try to forget what they had done together in this room.
I was always the class clown and got kicked out of class at least once a day for just being a goofball. Not suspended or anything, just sit outside and look at the tree on the bench. I got benched a lot. You keep one foot on the bench and try to get ...
Luckily, unreasonable expectations go hand in hand with naive young scientists. The more naive the better - otherwise we would never have the audacity to try and build a 22,000-mile-high space elevator or some sprawling underwater hotel.
No matter how hard we try, we can never understand everything that another person has gone through or why they might believe a certain way. It is possible for something to be right for you and something completely opposite be right for someone else.
Action choreographer is like talking. When you talk, you have a rhythm. When you act, you have a rhythm. When you're moving your body, you have a rhythm. So as an actor, as a choreographer, the objective is trying to blend everything in - into - ulti...
This trend of reporting process over substance is unfortunate, if omnipresent. Even worse is the media's inability - or unwillingness - to fact-check Republicans who are angry about the Democrats trying to debate and vote on Iraq policy.
Now, I talk to athletes who answer questions with a 'yeah'. I realize I used to do that. Or they answer very quickly and you stand there trying to come up with another question to ask. I've seen both sides and it's been very educational.
I can understand there are things like shadows they need to fix after a shoot, but it's unfair to represent an image of yourself if it's not true. They're gonna see what you look like on film anyway, so why try to cover all your wobbly bits in a phot...
They don't know how the world is shaped. And so they give it a shape, and try to make everything fit it. They separate the right from the left, the man from the woman, the plant from the animal, the sun from the moon. They only want to count to two.
Because of the grass and open face, I take one more club for shots from the rough, unless the ball is sitting on top of dry grass. Then, I use more loft and swing softer, trying to hit it about 70 percent to avoid a flyer over the green.
Sometimes I feel like one of those sliding tile puzzles. I just get so dang close to what I want to see in the mirror and who I want to be... but then I have to completely jumble up the pieces to try to get even closer.
I destroyed a lot of guitars trying to get them to do what I wanted, but I learned something from every guitar I tore apart, and discovered even more things. Things like if the string is not straight from the bridge saddle to the nut, you're going to...
I don't think there is much value in trying to use the moon as a base to go to Mars. That's going into one gravity belt and having to get back out of it again. And the moon doesn't have a lot to offer as a resource base.
I try to imagine how we would live if we didn't know we were going to die. Would we live our lives differently? Less careful, maybe? Less scared? These are beautiful things to think about and build a song around.
When you saw Jon Lovitz or Dana Carvey or Phil Hartman doing something, they were acting. It was real acting. Like, they were acting like that person. They weren't like - it wasn't even like they were really trying to go for a laugh, especially in Ph...
