I think part of the fun of being an actor is getting to work with different directors and seeing their take on it, what they're passionate about. They all have different ideas about your character.
Making cartoons means very hard work at every step of the way, but creating a successful cartoon character is the hardest work of all.
I gradually work myself into a frenzy as the shoot approaches, while we're choosing the costumes or working with the make-up artist. I'm not so much interested in my character as the film itself.
My main worry is that after a certain point you become so identified with a character and a series that you might not be able to get work when your show goes off the air.
The structure of 'March' was laid down for me before the first line was written, because my character has to exist within Louisa May Alcott's 'Little Women' plotline.
Two phrases I hate in reference to female characters are 'strong' and 'feisty.' They really annoy me. It's the most condescending thing. You say that about a three-year-old. It infantilises women.
'Firelight' is a beautiful story about a lot of young women. My character, Caroline, is a girl who has a bad boyfriend, and he ends up getting her locked up and incarcerated.
I bring this up because in writing some thoughts about a father, or not having a father, I feel as though I'm writing a book about a troll under a bridge or a dragon. For me, a father was nothing more than a character in a fairy tale. I know fathers ...
In August of 1998, I completed , the sequel to my novel , one of many of my books in which a dog is among the cast of principal characters. Every time I wrote a story that included a canine, my yearning for a dog grew. Readers and critics alike said ...
If the point of life is the same as the point of a story, the point of life is character transformation. If I got any comfort as I set out on my first story, it was that in nearly every story, the protagonist is transformed. He's a jerk at the beginn...
I had a dream about you. You were writing a book, and I was reading a book. The problem was, it was the same book. So while you were trying to write, I sat next to you yelling at you to write faster because I am a speed reader. Seriously, can you onl...
Maybe at the very bottom of it... I really don't like God. You know, it's silly to say I don't like God because I don't believe in God, but in the same sense that I don't like Iago, or the Reverend Slope or any of the other villains of literature, th...
The starting point of 's theory of evolution is precisely the existence of those differences between individual members of a race or species which morphologists for the most part rightly neglect. The first condition necessary, in order that any proce...
Up until relatively recently, creating original characters from scratch wasn't a major part of an author's job description. When Virgil wrote The Aeneid, he didn't invent Aeneas; Aeneas was a minor character in Homer's Odyssey whose unauthorized furt...
Two distinctive traits especially identify beyond a doubt a strong and dominant character. One trait is contempt for external circumstances, when one is convinced that men ought to respect, to desire, and to pursue only what is moral and right, that ...
There is absolutely a big difference between getting a date and getting a husband. Being overly materialistic can get a lady some dates, but an impeccable character will surely get her a husband of a lifetime. Men that know what they truly want in li...
What if all religions were stories, and all stories were true.
Man is a demon, man is a god. Both true.
Profound desire, true desire is the desire to be close to someone.
The only true dead are those who have been forgotten.
Motherhood, true motherhood, was what went on when no one else could see.
