His music gave no lesser joy than a vacation. Creativity in his music and its success stood out as an example to all kinds of artists, in the lectures of business speakers, engineers, and to anyone who built or constructed something in their respecti...
Nothing exists until or unless it is observed. An artist is making something exist by observing it. And his hope for other people is that they will also make it exist by observing it. I call it 'creative observation.' Creative viewing.
That's because only a real artist knows the actual anatomy of the terrible or the physiology of fear - the exact sort of lines and proportions that connect up with latent instincts or hereditary memories of fright, and the proper colour contrasts and...
Real life, life finally uncovered and clarified, the only life in consequence lived to the full, is literature. Life in this sense dwells within all ordinary people as much as the artist. But they do not see it because they are not trying to shed lig...
Art is like a kite with an airplane propeller, OK? Artists are like people who have scuba tanks for lungs, OK? And critics are like a box of forgotten leftovers in my fridge from a few years ago, except they’re not as welcome at my dinner table, OK...
...she (the artist, the writer) doesn't wait for inspiration, she acts in the anticipation of its apparition.
The artist must be like that Marine. He has to know how to be miserable. He has to love being miserable.
A writer writes with his genius; an artist paints with hers; everyone who creates operates from this sacramental center.
How much distance should there be between art and artist? I’d say no more than a lifetime.
It was supposed to say "Great Artist" on my tombstone, but if I died right now it would say "such a good teacher/daughter/friend" instead; and what I really want to shout, and want in big letters on that grave, too, is FUCK YOU ALL.
If I were a cave dweller, I wouldn’t draw on my living room walls like a caveman. No, I’d draw on my walls like Basquiat. Not a big difference aesthetically, but a huge difference in artistic credibility.
To be a great artist, you need to know yourself as best as you possibly can. I live my life and delve into my own psyche. It's more about exploring how I feel rather than making pale imitations of something that came before. We are unique beings, and...
I think there are a lot of artists that are very traditional. I think someone can be a fan of someone like Josh Turner and then turn around and be a big fan of someone like Taylor Swift because, at the end of the day, it's all about those songs. I fe...
You know, when you choose to make your living as an actor, it's all fine and good to look at it as some kind of artistic endeavor. At its best, it is that. But the fact is, most of the actors out there don't earn $3 million a picture and can't afford...
I think the best actors in the world are here in New York City. And this city is just so vibrant the energy is just phenomenal. Great crews here. All the technicians, all the artists that work in this industry. I've just been very happy with the body...
If you saw me without concealer, you would see that I have raccoon eyes. And I think my forehead is too small. I am not quintessentially beautiful. I am photogenic, but that's only because I have learned how to make the best of what I've got from the...
I sort of came out at the dawn of the Internet in the mid-90s and I think it helped break my career. I think I was one of the first artists to really benefit from the grassroots swell that can happen online. I don't know if I would have broken out wi...
Since I was 18, I've been under orders from magazines and newspapers - chiefly The New York Times and Rolling Stone - to step into the lives of musicians, actors, and artists, and somehow find out who they really are underneath the mask they present ...
I've established myself as a proper artist. And it's ridiculous when anyone questions my credibility - I've had four number one singles and I've also sold over two and a half million albums. I shouldn't have to convince people that I'm credible, but ...
I can remember when anything further downtown New York than Canal Street was risky and the whole area still looked like a '70s cop movie location; when the original loft-owners were more dash-than-cash, artistic types.
With rare exceptions, I respond most to painting that cuts across grain rather than following it. I think the artist here can get in touch with that grain rather than simply feel its flow. And he really can't cut right across it anyway.
