Colette: So you see, we are artist, pirate. More than cooks are we. Linguini: We? Colette: Oui. You are one of us now, oui? Linguini: Oui.
I suspect that we might actually start selling some records with these artists in about 10 years. Some the people who invested, they're a little tight-because it's a lot of money to start up a company.
That is why the analogy of stealing does not work. With a thief, we want to know how much money he stole, and from whom. With the artist it is not how much he took and from whom, but what he did with it.
Kids are taking music for free all the time. They have Spotify, Pandora... The record companies aren't making the kind of music that they used to make. Artists make their money on tours, not from album sales.
To any artist, worthy of the name, all in nature is beautiful, because his eyes, fearlessly accepting all exterior truth, read there, as in an open book, all the inner truth.
The artist is the confidant of nature, flowers carry on dialogues with him through the graceful bending of their stems and the harmoniously tinted nuances of their blossoms. Every flower has a cordial word which nature directs towards him.
I mean, I'm an artist by nature; no one considers what I do and no one knows who the heck I am, but that anybody does - it is astonishing.
People might say I'm difficult, but did you ever hear anyone describe a label as 'difficult'? By nature, artists should challenge. When they call you difficult, it is a reflection of the imbalance of power.
It used to be that artists thought of nature as their environment. Now media is our environment. It has been for the past 50, 70 years. It's what you see on TV, on the computer, what is in the magazines and newspapers.
The worth of a civilization or a culture is not valued in the terms of its material wealth or military power, but by the quality and achievements of its representative individuals - its philosophers, its poets and its artists.
As a kid I quite fancied the romantic, Bohemian idea of being an artist. I expect I thought I could escape from the difficulties of maths and spelling. Maybe I thought I would avoid the judgement of the establishment.
As artists, it's tempting to forget the audience's needs. Too often, we're self-centered and self-indulgent in what we share with the world. We're prideful, only showing what we deem as perfect or what we think our peers will respect.
A film has to be for commercial success as well as earn you respect as an artist. You don't want to do only things that are designed to run commercially, and neither do you want to do things that get acclaim but don't run.
These are all voluntary resources which help parents sort out the choices without infringing on the artists' rights to free speech, which is something that we respect.
I was trained as a fine artist. I went to a progressive public school in Pennsylvania that developed these talents, but I was never able to apply to a decent college because I had no math, no science - I was allowed to just paint all day and write.
I like working closely with artists. I think that's very important in fantasy and science fiction - the visual aspect of the worlds and the characters.
We are raising today's children in sterile, risk-averse and highly structured environments. In so doing, we are failing to cultivate artists, pioneers and entrepreneurs, and instead cultivating a generation of children who can follow the rules in org...
We're not afraid of risking what was our success yesterday in order to explore some new field. We're adventurous. We like the challenge of unknown territory, unknown artistic field, and that's what stimulates us.
I think that certainly the artists of the '40s, '50s and '60s were fighting a very conformist society, which didn't give them enough space to live or create, and they were bucking all kinds of spoken and unspoken rules.
My role in society, or any artist's or poet's role, is to try and express what we all feel. Not to tell people how to feel. Not as a preacher, not as a leader, but as a reflection of us all.
As artists, we'd all love to not be commercial - to not sell out to the full extent that we are able. But you do what you have to do to pay New York rent and continue to do what you feel strongly about.
