Wolfgang Amadeus Mozart: Forgive me, Majesty. I am a vulgar man! But I assure you, my music is not. Emperor Joseph II: You are passionate, Mozart, but you do not persuade...
Wolfgang Amadeus Mozart: It's unbelievable, the director has actually torn up a huge section of my music. They say I have to rewrite the opera. But it's perfect as it is! I can't rewrite what's perfect!
Wizard: You know what music is? God's little reminder that there's something else besides us in this universe, a harmonic connection between all living beings, every where, even the stars.
Hope: You remember how you said Mozart was a musical pod? Reverend James: Prodigy. Hope: Yeah, well, I've got one of those and he's living under my bed!
You can't make a fan of everyone. Stay true to your story, characters, music, art or whatever it is you do and fuck everyone else who doesn't like it. Life isn't perfect.
Feed your creative mind. Feed your joyful, selfless heart. Feed your soul to grow. Feed with books, music, painting or arts, Feed with your special favorite passion you joyfully share near or far apart.
I think there are rock stars within every subgenre, and for people who are obsessed with musical theater Sutton Foster and Audra MacDonald are like Beyonce to them. I'm sure the a cappella world has their own version of that, and that exists in every...
I started singing in church and I was probably around seven and I started singing anywhere that I could. I used to sing at my school. I was in musicals and then it kind of got to a point where I started to - wanted to do my own songs.
I'm a bit multifaceted in the sense that I've got many more than one musical taste. If you think about it, I started out playing in a punk band and ended up doing electro-pop. That was more an accident than a plan.
Tina Fey and I have 15 things in development: 'Laverne and Shirley', 'Starsky and Hutch 3', 'Cagney and Lacey', 'Wonder Twins Activate From Two Hot Broads', 'Little House on the Prairie: The Musical: The Movie'.
At MGM, you knew you were going to be working next year; you knew you were going to get paid. But I was too ambitious musically to settle for it. And I wanted to gamble with whatever talent I might have had.
Hip-hop has survived as a sonic practice more than anything else. It's an approach to music-making based in sampling and rhyming over beats, that's proven far more versatile than its detractors thought it would.
Everybody has that point in their life where you hit a crossroads and you've had a bunch of bad days and there's different ways you can deal with it and the way I dealt with it was I just turned completely to music.
I'll care for you, love you, support you and so much more. But do not beg for it when you've abused it. I can not love you. When your heart doesn't speak the same music.
I've had albums out since the 1970s. I was in a musical, 'The Boy Friend,' directed by Ken Russell, and I was on Broadway in 'My One And Only' with Tommy Tune, so I've always been a singer, but I suppose people think of my modelling more.
I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
The best books — like the best music or television or movies or comics or video games — can challenge us and force us to think or perceive aspects of life that we may prefer to avoid. In a sense, they threaten us.
The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt - they meditate, protest, analyze, reason, calculate and brood, but they do not exa...
We are the music makers, We are the dreamers of dreams, Wandering by lone sea-breakers, And sitting by desolate streams World-losers and world-forsakers. On whom the pale moon gleams. Yet we are the movers and shakers Of the world for ever, it seems.
Should you care to write (and only the saints know why you should) you must needs have knowledge and art and magic - the knowledge of the music of words, the art of being artless, and the magic of loving your readers.
The ideal architect should be a man of letters, a skillful draftsman, a mathematician, familiar with historical studies, a diligent student of philosophy, acquainted with music, not ignorant of medicine, learned in the responses of jurisconsults, fam...