Well, I think the first piece of music I ever heard that I really loved was 'Salome's Dances' by Richard Strauss. I played that 12-inch, 78 record, and I stood up on an ottoman to play it on a big Victrola and I'd just keep playing it and playing it.
For me, it's always this constant battle and search when I'm out on stage as to where and when do I really open myself up to the people that are there. How do I let myself feel present in the space, and how do I allow myself to get into the music and...
I will never sign to a major record label again. If, by some mega fluke, a record of mine looked like it might break big, I'd try and do it via an indie or somehow license it. I'm not having my music owned by those corporate bastards again.
There's a relationship between music and spirituality and inspiration and to a certain extent improvisation that draws me in, because I don't totally understand it. I know that those relationships have been telling me, since I started making records,...
A lot of people thought my career was over. If you're not releasing records, then something must be wrong. Either the record company doesn't like your music, or you've been dropped. It has to something negative. It's not like you wanted to take a bre...
I feel like I'm doing something in Atlanta that nobody ever did as far as rap. If it happens to end up on the top 40 or the pop charts, it doesn't mean I meant to go pop. It's just where the music took me. It started at the bottom, and it rises.
I realized that, all along, my theory was right: Make music that you want to hear, and instead of having fans that one day might criticize or abandon you, your fans aren't even fans. They're people with tastes similar to yours. They're friends you ha...
But I also enjoy music outside the band. I've been doing production for other people, including Robert Wyatt. Check him out. The album we did together, 'Rock Bottom,' I think it's really lasted well. It's a 35-year-old album, but it worked.
Ever since I was a kid, I always wanted to play music that I liked, and even when I was in cover bands when I was a teenager we only played cover tunes that we liked. That was the simple morality that I grew up with.
My parents had normal jobs, and I didn't just want to work all day, and so I thought if I could break into music I wouldn't have to work all day. And I had an uncle who was on Broadway, so I was like, 'I have to be able to sing.'
Hip-hop is the streets. Hip-hop is a couple of elements that it comes from back in the days... that feel of music with urgency that speaks to you. It speaks to your livelihood and it's not compromised. It's blunt. It's raw, straight off the street - ...
I wanted to be a cheerleader, like my sister was - all the most popular and beautiful girls are cheerleaders and I wanted that, and it demolished this vision of myself. That's when I found the piano, when music saved me; that's when I first attempted...
Together with a culture of work, there must be a culture of leisure as gratification. To put it another way: people who work must take the time to relax, to be with their families, to enjoy themselves, read, listen to music, play a sport.
There is this tremendous amount of arrogance and hubris, where somebody can look at something for five minutes and dismiss it. Whether you talk about gaming or 20th century classical music, you can't do it in five minutes. You can't listen to 'The Ri...
I wasn't necessarily frustrated in Fall Out Boy, but there were things that didn't get satisfied, desires left wanting. We didn't all meet on the same kind of music. When bands break up, there are all these buzz words that get tossed around to mainta...
I saw the Internet as being something which would allow power mongers to control us, and that we would willingly go to that if it promised us salvation - if it promised to show us who we were and let us find ourselves as we had, uniquely in our gener...
Highlight reels are about that one person. After a barrage of highlight reels, you get the sense that you can do it without a team. But music thrived the most when groups were involved. People lose sight of that - that community makes the world run.
I think I'm always adopting a persona. That's how I look at pop music. I don't feel like I have to be myself. I feel like I have to be true to myself, but I don't have to show an exact picture of who I am.
The music industry used to be able to control a single dance on the very smallest level of when people are supposed to hear it, and when they're supposed to start liking it, and when they're supposed to start buying it. And that's trashed, you know, ...
When I sang that song, I felt it was almost as if some force had moved into my body. Things like that have only happened to me singing jazz. It doesn't happen when singing pop. I get so deeply into the music, it feels like I've become someone else.
When I drive to work, I listen to thuggish rap at a very loud volume, even though the lyrics are degrading to women and offend me to my core. I am mortified by my music choices.
