I can think and play stuff in classical music that possibly violinists who didn't have access to other types of music could never do. It means I'm more flexible within classical music, to be a servant to the composer.
And it's very strange, but I think there is something very common - not only in Celtic music - but there is a factor or element in Celtic music that is similar in music that we find in Japan, the United States, Europe, and even China and other Asian ...
Back then people closed their eyes and listened to music. Today there's a lot of images that go with the music. A lot of music is crap and it's all commercial and the images are all trying to sell the record.
There are a lot of influences from different countries in my music. For example, I chose the guitar in my music, I think that it is a feminine instrument, so when I do not sing, the music expresses my voice.
When I'm feeling stressed out and overwhelmed, sometimes I'll read a book. But most of the time, I will either listen to music or play music. I'm basically always playing music, even if I'm not stressed!
The Band is probably the ultimate example of people taking all kinds of music, from gospel to blues to mountain music to folk music to on and on and on and on and putting them all in this big pot and mixing up a new gumbo.
I became a country music fan in 1990 when I moved to Colorado. It was my first exposure to it because I'm from a city. I've been a fan of country music ever since.
For me, my number one priority always has to be the music, and I'm going to work school around my music - not music around my school.
Dance has always just been an extension of music for me. It's about putting my music into motion. It's just another dimension that I tap into with my music that not many artists do anymore.
I like pop music. I consider rock 'n' roll to be a branch of pop music.
I believe honesty comes across in music because for people that music isn't just something to dance to. For people for whom music is something that they feel, they understand what I'm talking about.
I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
I had seen a lot of music movies that celebrated music or that showed the kind of joys from playing music, which is a big part of it of course, and not something that I would want to deny.
The traditional approach to an unknown risk is avoidance.
Young people discovering their sexuality must know they walk with a strong tradition and that they are not alone. They have a right to information without being pressured.
I wanted to make a traditional record that had a lot of art and showed my vulnerable side and showed things I'm passionate about.
Between the sands of time and tradition is a multitude of truths untold.
Preserving tradition has become a nice hobby, like stamp collecting.
My personal political convictions are rooted in the populist political traditions of western Canada.
Tradition can, to be sure, participate in a creation, but it can no longer be creative itself.
I think singing traditional country is wonderful, because I'm bringing it to my generation and to the younger kids.
