I remember that in '81, country radio was pretty pop, and everybody wanted a crossover record - and all of a sudden it came back to traditional. Now it's kind of swung the other way a little bit, but it always comes back.
It's kind of weird. You can have hits, but it's hard to sustain a career. I went through that period where I didn't have a lot of hits, although people were still buying the records.
When it comes to the recording and writing, it's still mostly Mickey and I. But now there's this whole live entity that's a whole different thing, and it seems to be where we're gaining the most popularity.
I collect records. And cats. I don't have any cats right now. But if I'm taking a walk and I see a cat, I'm happy.
I don't like the idea of a singer-songwriter record. I don't picture myself that way, and it's not my favorite sort of look, I guess. It's really just an aesthetic thing.
I'm trying to avoid having regrets about missing opportunities. That would be the worst thing. Like having an audience waiting, and not working hard enough, and coming out with a record that disappointed them.
Bono is my inspiration - not only as a rock star but as a humanitarian. We aren't just put on this earth to sell records. Maybe it's because of my upbringing, but I do consider myself a moral guy.
And I have to say, for the record, my favorite line from 'Without A Clue' is after Michael Caine pokes a dead body with a stick and announces to everyone, 'It is my opinion that this man is dead.'
We've got another nominee coming up, well qualified, Texas Supreme Court Justice Priscilla Owens has a tremendous reputation, tremendous record, but they are already marshalling their forces to try to stop that nomination.
When I signed a record deal, I was always told by execs I needed to be like everybody else, that I had to show my midriff, things that would take away from who I want to be as an artist.
It is a maxim among these lawyers, that whatever hath been done before, may legally be done again: and therefore they take special care to record all the decisions formerly made against common justice and the general reason of mankind.
On the other hand when you are someone who records their own songs you are basically stuck writing for one voice and for one style that can stifle you a bit. It's a real trade off.
I've noticed that when I am selling a lot of records, certain things become easier. I'm not talking about getting a table in a restaurant.
We usually break our records every Monday, so we'll see what turns up tonight after midnight. Next month it'll probably be higher, which is always weird.
Recently, I've been working on anew album of material, which should be out in the new Millennium. I'm not sure which song will be put out as a single, but I'm still hoping to get another record in the charts.
So at 16 I got a job at the local radio station. And I was working after school and weekends. I did the news; I did everything. I did - played records.
To come in and win three races already this year and maybe set a record by winning four is pretty unique. But guys like Mark Martin, Rusty Wallace and these guys are not wanting that to happen.
I told Celine Dion not to record that 'Titanic' song. That's about as big as you can get. 'Flashdance?' I thought, 'Welder by day, disco dancer by night - who wants to see that?'
A lot of the records you buy, there's nothing you can hold in your hand, it's all 1's and 0's, this digital cloud floating in the ether. but with analog albums, you can hold it in your hand.
Some people record onto tape, and then they pay for the tape, and download those onto a hard drive. Initially in a Pro Tools program. Other people go straight into digital, and use no tape at all.
I suddenly realized that in order to do what I wanted to do, I had to become that which I hated - which is the head of a record company or a digital media conglomerate - and just do whatever you want.
