Fiction is sort of a way to set the record straight, and let people at least believe that justice can be achieved and the right outcomes can occur.
Performing is a thing in itself, a distinct skill, different from making recordings. And for those who can do it, it's a way to make a living.
I will say this, - though: If it is true that fusion will put unlimited amounts of energy into our hands, then I'm worried. Our record on this score is extremely poor.
You just went right in and just recorded songs and listened them, and if there were any mistakes, then we would correct them and just went on... one take or two take.
Today baseball is currently enjoying a run of more than 14 years without interruption, a record that would have been inconceivable in the 1990s.
I probably listen to Burn more than any of them, because it was so new me, so novel. To see my name on an actual record was such an incredible feeling.
The people who run record companies now wouldn't know a song if it flew up their nose and died. They haven't a clue, and they don't care. You tell them that, and they go, Yeah? So, your point is?
I had this instinct and I just knew it. It was a very strange thing and as soon as I finished recording it, we were all in the studio saying we have something really special here.
I'm the only talk show host, I think, if there's such a category in, what's called, the book of records, to have a guest die while we were taping the show, yeah.
I used to record but just in my own studio or in my friend's back when I toyed with the idea of being a rapper.
When Elvis sang, it almost sounded like he was whispering. But after you heard the record, his voice was the strongest thing you ever heard. He was incredible.
When I heard BB King's 'Sweet Sixteen,' I knew I wanted to play bass because that was the thing that made that record: the bass player.
I've always been slightly afraid of coming out with my record because it's so personal to me. Now it doesn't feel as frightening as I thought it would.
Cause when you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
A lot of times I go back to record and to make a tour, but I'm very happy to do it, because it gives me an opportunity to dig and hear what's going on.
I've watched the world crash and burn in every sense. I've watched the record industry crash and burn; politically I've watched it crash and burn, financially crash and burn.
We actually added an extra electric guitar to beef up 'Need You Now', but we haven't changed any of this 'Own The Night' record at all for the international releases.
As I like to say, the entire collective memory of the species - that means all known and recorded information - is going to be just a few keystrokes away in a matter of years.
My problem is I don't have this incredible, hip image. I'm not some flamboyant or gorgeous-looking guy who's going to sell records based on his image.
Though there are many differences between Barack Obama and Jimmy Carter, they are strikingly similar in their poor economic records and even more so in their shared pessimism and bearishness on America.
I'm not living for when I have a Number One record or when I make a million trillion dollars. I'm not doing this to get somewhere else. I'm doing it because I'm doing it.'
