People I look to: again, Hank Aaron, man you challenged the status quo and the records of the game. Monumental feats in an era where people didn't like that.
I made a dollar a day sweeping a laundry out. Then we made a record that was number two in Los Angeles. We got so excited hearing it on the radio that Carl threw up.
Modern records are all made with virtually identical gear, software plug-ins and everything. Everybody wants everything to sound like the last thing that was popular because they're chasing their tails.
I found with this record I had to really be strong-willed, because in the past I've tended to tinker and add a thing or take a thing away, and nearly always been wrong.
I know that when I make a record like The Delivery Man as a contrast to even Il Sogno, this is going to reach a wider audience, because it communicates in that very direct way.
Usually, when you do video games, you don't interact with the other actors. You each record your audio on different days, and you never really meet the other characters.
I'll always leave the same set of strings on my guitars when I'm recording. If I break one I'll just replace it instead of putting on a whole new set of strings.
None of us can boast about the morality of our ancestors. The record does not show that Adam and Eve were ever married.
It must be quite mysterious to some people why I bother to carry on. Because, you know, I don't sell that many records.
There is no reliable way to calculate from the number of recorded compliance issues how many Americans have had their communications improperly collected, stored or distributed by the NSA.
The magic can happen in a studio. Special things can happen in a recording studio, even though it may seem like a clinical environment from the outside looking in.
I never thought I'd be doing records a year after I started - I had no idea it would last as long as it did.
Everything I record, I just try to sound like me and come up with songs that suit what I do, and then just go for it.
I've toured the U.S. every single year and I've put a record out every single year whether it was on a major label or not; that doesn't make any difference to me.
I think I'm a living embodiment of, 'Don't try to push me around or squash me,' whether its how I talk to a record label or in my relationships.
I started growing my hair in December '89. I was seventeen. I signed my record deal and said I ain't combing my hair no more. I don't have too.
Yeah, I record on voice memos. I got like 1,000-something memos. If I'm in the middle of something and I can't get it done, I'll jot it down, but I never write a rap out, ever.
It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.
Unless you have made a complete surrender and are doing his will it will avail you nothing if you've reformed a thousand times and have your name on fifty church records.
When I first started in rock, I had a big guy's audience for my early records. I had a very straight image, particularly through the mid '80s.
I'm very happy with this new record. It's dealing with different aspects of love-it's me making a statement about people doing something with their lives. It is about caring for others.
