Singles needed to come back. And what I tried to do in my online experiment was to change the rules for myself and make available at a more regular pace the fruits of my labour, for people who decided they wanted to support my recordings.
I hate the technological rip-offs that pass for music formats these days, and go back to vinyl to hear a good record because the sound is always so much fuller. I don't even like listening to music in the car.
When I was in seventh grade, I asked my parents for a mobile recording system for Christmas, and I got it. I didn't come out of my room for years after that. I'd get invited to the movies and I'd say, 'I'm gonna finish a couple of demos.'
After school, my mom would pick me up and I would just go to visit my dad in the recording studio, and I would see him working with Mark Hamill or hear him doing the 'Transformers' or a 'G.I. Joe' or the 'Rugrats.'
I was recording stuff with my dad when I was like five, six years old. I played with him on tour. I'd gone with him to Japan in '91, played some gigs, did a couple shows at the Albert Hall.
I always had a standard of, back when I was doing the country music I always told people I would never record a song that I wouldn't sit down and sing in front of my mom and dad.
Not that I want the current president killed. I will, for the record and for the FBI agent assigned to read this and make sure I mean no harm, clearly state that while I am obsessed with death, I am against it.
They should invent some way to tape-record your dreams. I've written songs in my dreams that were Beatles songs. Then I'd wake up and they'd be gone.
After all those days in the cotton fields, the dreams came true on a gold record on a piece of wood. It's in my den where I can look at it every day. I wear it out lookin' at it.
Smallpox, which spreads by respiration and kills roughly one in three of those infected, took hundreds of millions of lives during a recorded history dating to Pharaonic Egypt. The last case was in 1978, and the disease was declared eradicated on May...
I want make more records with my sister. I want to go on the road. I want to tour around the world. I want to continue to make great films and work with incredible directors that I respect and look up to.
I just don't think you can make records easily and have them be great. It's a process. You've got to get really lucky all the time, or you've got to work like mad.
If you listen to the great Beatle records, the earliest ones where the lyrics are incredibly simple. Why are they still beautiful? Well, they're beautifully sung, beautifully played, and the mathematics in them is elegant. They retain their elegance.
Bobby is really the one who did all the editing on that stuff. And he did all the mixing. I particularly like the record we did with Logic because Scott Harding did a great job mixing it. He's really a killing engineer.
The record was only released in the UK, and then when the idea for the remixed album came about, which was an idea that I've had for the longest time, I said this would be great song to remix as well, and so we did it.
No one in this world, so far as I know - and I have searched the records for years, and employed agents to help me - has ever lost money by underestimating the intelligence of the great masses of the plain people.
And there's always one special element. In 'There Goes My Baby,' it's the out-of-tune timpani. 'Stand by Me,' it's the bass pattern. Of course, all the elements come together to make a great record. But there's always one standout.
There isn't a flaw in his golf or his makeup. He will win more majors than Arnold Palmer and me combined. Somebody is going to dust my records. It might as well be Tiger, because he's such a great kid.
You can sit down with Reason or Ableton and literally in a couple of hours make a very good-sounding record. But then a lot of people become contented with that, rather than pushing themselves to making something that sounds great.
My record was so bad that I was first rejected by the Peace Corps as a poor risk and possible troublemaker and was accepted as a volunteer only after a great deal of explaining and arguing.
I was an original Elvis fan. He was the voice of my generation. I was listening to him on the radio when he released his great Sun records with Scotty Moore on electric guitar and Bill Black on bass.
