Who you are as a performer is one thing, but when you're making records, you're dealing with musicians' tastes, their goals, their wants, their needs, everyone's individual pride.
I know what it takes to make a band, how they should interact, what makes a record sound like it's a band - everything having to do with a band, I happen to be into.
The first rule of rock and roll is it's all about live. Then you have to learn a second craft, which is making records. It should go in that order.
I'm not bleaching my skin, and if I was bleaching my skin and I felt like saying so, I would, but for the record, I am not.
I write all year long, and at the end of the year I pull these forty or fifty things out and say, 'Which of these things do I want to record?'
I worked in restaurants, bars, record stores; I did anything and everything to pay my way through university and LAMDA.
What I was concerned about when I wrote the 'Downward Spiral' record was being a self-centred destructive force. The point was tearing down everything in a search for something else.
I've written all my songs on every single one of my records, and that's what's been fun about looking back.
I don't plan tours necessarily around records. I know that's what most people do.
I consider a CD or a comedy collection as a record of what I've been doing, and I try to wrap it up and start new material.
People are really set in their ways in how they produce records, and I was at least open enough to where I knew I wanted to do something totally different.
I jump into the process, and the record begins to gel at some point. Then I begin to get a picture of where I'm going. But it's not always something I know on the front-end.
As you know, the fossil record includes not only the ancestors of crocodiles and whales, but also the ancestors of human beings. And this, of course, is why evolution remains controversial.
When I was eight, my pals and I went up to my bedroom, put on our party frocks and mimed to ABBA records using broom handles as microphones.
At my second record label, they told me and other female artists that some of us were going on the chopping block. I was 19... and it was devastating.
I achieved everything I wanted to achieve by being in the Rolling Stones and making records.
I've never tried to achieve anything. I achieved everything I wanted to achieve by being in the Rolling Stones and making records.
That's why I called my record Devil Without a Cause - I'm a white boy who's so sick of hearing that white kids are going to steal rap.
When I was making my first record there would be something that would come out that would inspire you, you know? You'd see someone on TV or on the radio.
In the past, people have looked at photos as a record of memory. The focus has been on the past tense. With Instagram, the focus is on the present tense.
A Broken Record can still play the best soundtrack. Broken can be beautiful when you allow God work on you.
