But it's a journey and the sad thing is you only learn from experience, so as much as someone can tell you things, you have to go out there and make your own mistakes in order to learn.
I'm interested in all forms of performance, yet I think it's difficult to be as equally talented in all of them as they call for such different skills. At the moment, I still feel I'm learning and want as much experience and variety as possible.
Being listened to and being heard is an experience that doesn't happen terribly often. To listen compassionately or nonjudgmentally to another person - not to get too heavy about it - but I once heard somebody say that was a form of real prayer.
I was making a film called The White Tower at the foot of Mont Blanc - the one thing I learned from that experience was that it's more difficult to go down a mountain than to go up. A lot of people don't realize that.
Comprehensive climate legislation must be passed so that we can ensure a world where this and future generations can experience the bliss of breathing clean crisp air, while fishing in the Adirondacks... and being able to eat the fish afterwards.
But it must not be thought that I say this out of personal experience: for in the many years that I have been before the public my secret methods have been steadily shielded by the strict integrity of my assistants, most of whom have been with me for...
Acting is kind of difficult to intellectualize - it's a far more visceral experience. It's really hard to be able to think about and then employ these kind of esoteric notions of this person's backstory and try to weave it in somehow. It's just kind ...
I like to investigate all different kinds of people, I guess, and find out what makes them who they are, and try to be honest in the portrayal, and truthful, and find out how to understand that person, how to communicate that person's experience.
I think it's important to keep things private, and there are certain boundaries I feel very particular about drawing. It may seem fastidious, but my experience of talking to the press is that I need those boundaries to remain very clear.
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
My favorite movie out of the old movies was 'Escape to Witch Mountain.' We were working with horses and bears, and when you have a great friend like Ike and a great director... it was a great experience.
I did a play called Throne of Straw when I was 11, at the Odyssey Theatre in Los Angeles. It became really clear to me at that point that I enjoyed acting more than any other experience I was having.
My girls and I regularly go through their rooms to find clothes and toys to donate to charities. I firmly believe that children who have been given so much need to experience the joy that comes from giving.
I mean, I really liked those guys and the experience of doing Raiders was really good for me, but I did not really want to be involved - I only did Jedi, as I really owed George a favor.
Slavery is something that is all too often swept under the carpet. The shame doesn't even belong to us, but we still experience it because we're a part of the African race. If it happened to one, it happened to all. We carry that burden.
I did Star 80, which was a magnificent experience as well, but still, I was at the height of my career at the beginning. Then I had to jump down the ladder and climb back up again, which I didn't understand. That was very hard.
When I reached adulthood, even now, I could afford to belong to a country club. But I could never belong to a private club because of my experience as a child, because it would isolate me from the whole of humanity.
I'd say the real turn in my career came when I did the Dolce & Gabbana International Ad Campaign playing Madonna's son, which was just an incredible experience and I still can't believe actually happened.
I think being a parent is the most challenging thing you do. That's why we're here. It's at the heart of what it is to be a human being. It's the ultimate experience because it questions everything about who you are. But it's difficult.
'Red Knot' is a film that I shot in Antarctica almost three years ago on a boat. It was a film that was improvised and it had very interesting circumstances while making the film, obviously. We were on a small boat bobbing around in Antarctica. It wa...
In those days, it didn't take much imagination to come up with something that required great lyric development skills. You just thought of an experience that you might have gone through, and write it down.
