I thought that I would like to be affiliated with some school or institution. As time went on, I also decided on the subject that I wanted to get involved with in addition to music: it was Black Studies.
That type of autograph, pictures and apparel thievery was not part of what I grew up with. I loved the artists and their music. I would be thrilled to meet them, but the thought of getting a scribble or stealing an article of clothing never occurred ...
I remember Tim telling me that he had an idea for a musical and he said to me that he was hoping that ABBA would be writing the music, which I thought was a pretty wild idea because they were obviously known very much as pop writers.
When I first put out music, people didn't know what I looked like. They called it a new type of something; they couldn't put a genre on it - it was where indie and urban kind of meet in the middle. I thought that was quite exciting.
Apparently Pope John Paul II and his boys - is that what you call them? - loved one of my songs and thought I was putting spiritual messages in my music. I'm not religious as such. Dogma and I don't get along.
Both parents were very encouraging - especially my father. My father thought the sun rose and set with me. Neither one had a musical background or any musical talent. They liked classical music, but neither could carry a tune.
We thought everybody read comics. We didn't know we were weird. We didn't know people that collected comics were strange. It was as normal as listening to rock music on the radio.
I always thought that one day I would be somebody. I would be successful in music, and I would have fans that cared about my music. At the same time, I really feel like an ordinary guy; I have been an ordinary guy forever.
When the suggestion was made that I might consider doing music of Joni Mitchell, I thought it was a fantastic idea. Joni, I admire not only for her music but for her person, because she's a person that really stands out for what she believes in.
When I recorded Contra la Puerta, I never really thought out doing the material live. Mostly because I haven't really seen any electronic music performed live in an interesting way.
For a long time, I would write without music, because I thought it was distracting until I appreciated that it actually unlocks a certain unconscious productivity vault in my mind.
I'm not interested in stirring anybody up through music. If you're going to stir people up, it has to be a thought process that has nothing to do with music. I see music as having to do with an internal thing. Something that stirs you up is external.
I've always thought of music as something which gives the words their flight and their wings and the music often comes first, although sometimes I'll have a concept, a title idea, a lyric idea that I want to write and the lyric will come first.
The '60s weren't my cup of tea. I never bought that philosophy that, you know, we're all brothers and that'll solve everything. And I never believed that music dictated the times. I always thought it reflected them.
I've been wanting to go into music ever since I can remember. I mean even before I became an actor. I just thought it would be a tough field to break into, so I became an actor instead.
I slowly started to drift back into music again. I finally got the call from John... about getting the band back together again. It was so out of the blue. I almost thought that the moment had passed.
I don't think I thought I was going to go into music, and I don't think it hit me until I was 13 or 14, and then I was gone. Just like that. At that point, there was nothing else that could keep my attention.
I knew what I wanted to be, but I didn't know exactly how to get there. I thought you move to Nashville, you sing downtown, and someone discovers you, and you become a country music star. I had no idea.
Since I was a kid, music was what I wanted to do. I thought I could make it by my own talents. That's what I wanted to prove.
What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
I wanted to be an actor ever since I got on stage for the first time, aged 13. Before that, I thought I might follow in the medical footsteps of my parents: my father was a doctor, my mother a pharmacist.