I don't think I am that materialistic, actually. Obviously at home in the country the art collection is important, but we have one big room in the middle of the house where we do everything - the television, the kitchen, everything.
For me, the heyday was in 1959. It was before the Ferus Gallery moved across the street, in the days when Ed Kienholz and Walter Hopps ran it. At that time, art was taken very seriously in terms of being an artist, and not as a profession.
And I had worked at the comic-book store almost by accident, because I was deciding to make a living as an artist, be it as an art tutor or illustrator, and that's how I wanted to make my living.
A great city, whose image dwells in the memory of man, is the type of some great idea. Rome represents conquest; Faith hovers over the towers of Jerusalem; and Athens embodies the pre-eminent quality of the antique world, Art.
I had wanted a tape recorder since I was tiny. I thought it was a magic thing. I never got one until just before I went to art school.
It's up to the courage of the filmmakers to make art in cinema, not just business. John was rejected by studios, he borrowed money and did movies with his own money. You're either courageous or not. You have to find a way.
Warhol's images made sense to me, although I knew nothing at the time of his background in commercial art. To be honest, I didn't think about him a hell of a lot.
I think that art is still a site for resistance and for the telling of various stories, for validating certain subjectivities we normally overlook. I'm trying to be affective, to suggest changes, and to resist what I feel are the tyrannies of social ...
Even when I was a little girl, I remember going to the Museum of Modern Art. I think my parents took me there once or twice. And what I really remember is the design collection.
I feel uncomfortable with the term public art, because I'm not sure what it means. If it means what I think it does, then I don't do it. I'm not crazy about categories.
Sometimes I make things that people have very strong responses to. Whether that's art, I don't know. That's one of those words that doesn't mean anything. It's why I don't just use words.
When I was young, I wanted to be a writer or painter. I was always writing stories, and I excelled at drawing. My teachers encouraged my art work. When I was 9 or 10, I began learning piano and started writing music.
I have tons of art books. I have them all over the place. They are in my car, in my bag, and in my studio. There are books around me all the time.
Then in college, besides economics, I also majored in studio art and got involved in photography and making short films and acting. But I didn't know you could make a living that way.
My first film was a movie shot in 1974. I was 18 on that movie set. It was called 'Big Bad Mama.' I turned 19 on the next movie I worked on, which was a black 'Blazing Saddles.' I worked in the art department. It was called 'Darktown Strutters.'
I think I always knew that I would do something with art because it was the one thing that I knew I was really good at.
One of my inspirations, Harry Houdini, remains an icon of the art because he defied our primal fears. His demonstrations in the early 20th century, especially his escape from the Chinese water torture cell, represented triumph over suffocation, drown...
Modernity is the transitory, the fugitive, the contingent, which make up one half of art, the other being the eternal and the immutable. This transitory fugitive element, which is constantly changing, must not be despised or neglected.
It's not my concern to make a commercial pop record. I want to make a record of music that I would listen to, that is lyrically rich and has songs that people can relate to - more along the Jakob Dylan route: people who create for the art of it and n...
I would prefer to have a more appealing job. If I could still change careers, I would prefer it. This unfortunate art is made for long beards and ugly faces rather than for a relatively well-endowed woman.
We as artists are actively encouraged - by other authors, your agent, publisher, and society - not to think about money, strategy, how to manage your career, how to create a brand, because we're supposed to focus on the art.
