Some songs you get. Some songs you may not. And I think that's the beauty of art: to question and to ask, to understand the deeper meaning after two or three or four listenings.
Honestly, I don't believe in menswear. I focus on what pieces are most timeless, transcendent, match my lifestyle, remain remarkable, and command intriguing attention across the room at an art gallery.
Art is what can't be proven mathematically, right, it's where science ends. It's the part that makes you feel good, but you don't know why.
When I speak to students and they ask how much money you can make in art, as if that is a reason to persue it, I tell them to do something else.
People can't draw now and don't feel it's necessary. Art students don't seem to want to draw.
I feel like there is an underappreciation for ball gowns. You see them on the runway, but they rarely ever get worn, so there is something special and unique in getting to wear these creations; it's wearable art.
I just like art. I get pure pleasure from it. I have a lot of wonderful paintings, and every time I look at them I see something different.
You can't visit readers where you think they are. You have to invite them home to where you are and try to lure them into your universe. That's the art of storytelling.
My reputation for writing quickly and effortlessly notwithstanding, I am strongly in favor of intelligent, even fastidious revision, which is, or certainly should be, an art in itself.
Rumors sound of galleries asking artists for upsized art and more of it. I've heard of photographers asked to print larger to increase the wall power and salability of their work. Everything winds up set to maximum in order to feed the beast.
Appropriation is the idea that ate the art world. Go to any Chelsea gallery or international biennial and you'll find it. It's there in paintings of photographs, photographs of advertising, sculpture with ready-made objects, videos using already-exis...
Everyone goes to the same exhibitions and the same parties, stays in the same handful of hotels, eats at the same no-star restaurants, and has almost the same opinions. I adore the art world, but this is copycat behavior in a sphere that prides itsel...
Auction houses run a rigged game. They know exactly how many people will be bidding on a work and exactly who they are. In a gallery, works of art need only one person who wants to pay for them.
Artschwager's art always involves looking closely at surfaces, questions what an object is, wants to make you forget the name of the thing you're looking at so that it might mushroom in your mind into something that triggers unexpected infinities.
Mission accomplished. The Museum of Modern Art's wide-open, tall-ceilinged, super-reinforced second floor was for all intents and purposes built to accommodate monumental installations and gigantic sculptures, should the need arise. It has arisen.
The reason the art world doesn't respond to Kinkade is because none - not one - of his ideas about subject-matter, surface, color, composition, touch, scale, form, or skill is remotely original. They're all cliche and already told.
These days, newish art can be priced between $10,000 and $25,000. When I tell artists that a new painting by a newish artist should go for around $1,200, they look at me like I'm a flesh-eating virus.
Good manners is the art of making those people easy with whom we converse. Whoever makes the fewest people uneasy is the best bred in the room.
So you will see us continue to advance the state of the art or take information that we have in our response data bases and have that drive automation or an automated response by some of our products.
Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world.
Customs and convictions change; respectable people are the last to know, or to admit, the change, and the ones most offended by fresh reflections of the facts in the mirror of art.
