I have to say. I kind of love all that stuff - those physical challenges. I guess there will come a time when I'll get sick of it but at this stage, I just like it all.
I love thinking of cartoon characters feeling really real feelings. And I love to do that, not just as a fan, but as a creator, so if people want to look for those levels, they're actually there.
I love 'Harry Potter.' I love those books. That started because I lived with a woman who had kids who were, like, 10 and 7 when they moved in with me.
I love the op-ed pages of the 'L.A. Times,' the 'Washington Post' and the 'New York Times.' There's just no substitute for the people who are thinking and writing on those pages.
The crowd gives us so much energy and we are able to really feed off of it. Hitting those shots and having the crowd go crazy helps boost our confidence. We love our fans.
Religion united its influence with those of loyalty and love, and the order of knighthood, endowed with all the sanctity and religious awe that attended the priesthood, became an object of ambition to the greatest sovereigns.
I was worried for a while that it was some sort of reflection of me that all I seemed to be getting were these characters that were a tad bit loony. But I love it. Those are the most fun characters to play!
I was immersed in popular songs of the time, of the '30s and '40s. I was writing songs, making fun of the attitudes of those songs, in the musical style of the songs themselves; love songs, folk songs, marches, football.
I love to play golf, and that's my arena. And you can characterize it and describe it however you want, but I have a love and a passion for getting that ball in the hole and beating those guys.
I love to be in the position of not knowing what I'm gonna do, but having rehearsed all of those so when something happens with the others actors I go with whatever that is I'm getting.
I think being able to really fall in love with someone is the craziest thing that could ever happen. You know, allowing yourself to really go there and really feel those things is extremely scary.
I still don't understand the music industry that much. Everything I learned was from hanging out with rock musicians in studios. I certainly have respect for those who make music their livelihood.
I'm from the Bob Wills and the Little Richard school of music. Bob Wills did what the hell he thought, Little Richard did what he thought, and those were my big influences.
I was a kid who got picked on in school, and now the guys beating up those kids were wearing red caps and using my music to fuel that aggression. But if they listen to the lyrics, the aggression is targeted at them.
We lived on a farm in the English countryside, where we wrote a lot of our music. You really were treated like an artist during those days-not like product, which is now the mode.
For music, unlike a $500 software program, people are paying a buck or two a song, and it's those dollars and pennies that have to add up to pay for not just the cost of that song, but the investment in the next song.
No matter what I do, my songs come out in a certain style, and if that sounds like Dead Kennedys, then there's probably a reason for it. Don't forget, I wrote most of those songs, music and lyrics.
Punk is just like any other sub culture or music. Straight rock music has those elements. I grew up in a place where the punk rock kids fed the homeless in the town square.
There are Depeche Mode parties around the world where people listen to our music all night long. The more remixes we can give them, the more interesting those nights have got to be.
I would say I grew up listening a lot to Barbra Streisand and Judy Garland and Joan Baez and Joni Mitchell. I grew up listening to those because my parents were kind of into folk music.
The main thing that those two albums have in common aside from my music, which of course, a sense of it, you can recognize, it is that the bass on Infinite Search was playing much, much less like a bass.
