I think the New Aesthetic is a series of observations. I think most of the trouble people have had with it comes from a misunderstanding of it as a movement.
I think Stalin was afraid of Roosevelt. Whenever Roosevelt spoke, he sort of watched him with a certain awe. He was afraid of Roosevelt's influence in the world.
The 'I think' which Kant said must be able to accompany all my objects, is the 'I breathe' which actually does accompany them.
I think one of the very frightening things about the regime of the National Socialists is that it made people happy.
I think almost every newspaper in the United States has lost circulation due to the Internet. I also think the Internet will lead to a lot of plagiarism in journalism.
Mobile video is now a reality and a force to be reckoned with. I think it is essential to think about how people interact with their phones; how they consume content and how they share.
I think it's always very important to be comfortable and just kind of expressive; if you take fashion too seriously, then you lose the fun of it. I think you should always take the risk.
Proud about my father? What am I most proud of? I think I'm proud of the legacy he left I think is what it is. He has left us so much.
I think I'm a global citizen. My parents came from China, were educated in France and emigrated to the United States. And I think that opened up my mind to be able to live and work anywhere.
I think they should take everyone who works for The National Enquirer and the Star, and everyone who works for Us Weekly, and put them all to work looking for terrorists. I think they would find the terrorists. All of them. It would be genius!
And I do think that earlier in my career, I did make a very conscious decision to make sure that I was doing work that wasn't necessarily given to me, and that people didn't necessarily think that I would be able to do.
I think copyright is moral, proper. I think a creator has the right to control the disposition of his or her works - I actually believe that the financial issue is less important than the integrity of the work, the attribution, that kind of stuff.
I don't think people understand that being poor means you have to work from dawn until dusk just to survive through the day. I think there's some notion that poor people lie about all day not doing anything.
I think it does work. The fact that the law is there and injustices can be rectified, I think has a lot to do with the fact that the people in this country aren't as frustrated as they are in some of these places in Eastern Europe and don't resort to...
Theatre is relatively easy if you're British - you're living in the theatre capital of the world, London - there are so many places you can work, still. If I had begun to think of myself as a film actor, I think I would have got distracted.
I do think that books are invaluable as a reservoir of what we call the human space. And this is why I think that, even if they're threatened, the work that they do has an incalculable merit.
Some people say to be an actor you've got to die to do it. I think it's healthy if you think, 'I'll do it if it works, and if I don't, I can do something else.' That way seems to work for me.
I'm a very conservative businessman. I don't work on credit. My father was the guy who taught me how to think straight, not to delude myself and think I was larger than I was.
I think zombies have always been an easy metaphor for hard times. Because they're this big, faceless, brainless group of evil things that will work tirelessly to destroy you and think of nothing else.
I would have to challenge the term, modern dance. I don't really use that term in relation to my work. I simply think of it as dancing. I think of it as moving.
I think the attraction to Israeli women stems from the fact that we're exotic and the fact that there are many talented and beautiful women in Israel. I think that there is also greater awareness of Israel than before in the movie industry.
